Post-credit scenes: results for “tag: prostitute”

Unforgiven (1992) poster image. Zero votes so far.

William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.

Poster for The Mechanic (2011), blank on post-credit scenes.

Arthur Bishop is a 'mechanic' - an elite assassin with a strict code requiring professional perfection and total detachment. One of an elite group of assassins, Bishop may be the best in the business - with a unique talent for cleanly eliminating targets. When Harry McKenna, his close friend and mentor, is murdered, Harry's son comes to him with vengeance in his heart and a desire to learn Bishop's trade, signaling the birth of a deadly partnership.

Movie poster for Full Metal Jacket (1987), waiting for its first vote.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

Eyes Wide Shut (1999) poster. Verdict: nothing extra, you can leave.

After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.

A.I. Artificial Intelligence (2001). Nobody has said whether there is anything after the credits.

David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

Image for Pretty Woman (1990), a film with no post-credit data.

Vivian is a carefree, streetwise diamond in the rough when she meets sophisticated billionaire Edward in a chance encounter that turns into a week-long business arrangement. But Vivian's energetic spirit challenges Edward's no-nonsense approach to life, and soon they are teaching each other – and falling in love!

Poster art for Idiocracy (2006), an open question on post-credit scenes.

To test its top-secret Human Hibernation Project, the Pentagon picks the most average European-Americans it can find - an Army private and a prostitute - and sends them to the year 2505 after a series of freak events. But when they arrive, they find a civilization so dumbed-down that they're the smartest people around.

Black Mass (2015) poster. The count is still zero.

The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.

Movie poster for Crocodile Dundee (1986), waiting for its first vote.

When a New York reporter plucks crocodile hunter Mick Dundee from the Australian Outback for a visit to the Big Apple, it's a clash of cultures and a recipe for good-natured comedy as naïve Dundee negotiates the concrete jungle. He proves that his instincts are quite useful in the city and adeptly handles everything from wily muggers to high-society snoots without breaking a sweat.

Eastern Promises (2007): nobody has checked the credits yet.

A Russian teenager living in London dies during childbirth but leaves clues in her diary that could tie her child to a rape involving a violent Russian mob family.

Movie art for Monster (2003), post-credit scene unknown.

In 1989, prostitute Aileen Wuornos befriends and enters a relationship with a young woman named Selby. Determined to straighten out her life, Aileen's limited education lands her back on the corner. She's raped by a trick, who she kills. A string of murder and robbery follows that ultimately leads Aileen to becoming America's first female serial killer.

Poster for Perfume: The Story of a Murderer (2006). Never been answered.

Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.

Image for Crank: High Voltage (2009), a film with no post-credit data.

Chelios faces a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working.

Poster for Leaving Las Vegas (1995). Never been answered.

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

Poster for Irreversible (2002), awaiting its first vote.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Poster, The Bride! (2026). Nobody has voted on this one.

A lonely Frankenstein travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious to create a companion for him. The two revive a murdered young woman and The Bride is born. But what ensues is beyond what either of them imagined.

Shoot 'Em Up (2007) cover. Nothing recorded about its credits.

A man named Mr. Smith delivers a woman's baby during a shootout, and is then called upon to protect the newborn from the army of gunmen.

Poster art for The Chaser (2008), an open question on post-credit scenes.

Joong-ho is a dirty detective turned pimp, who's in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a clue that the vanished girls were all called up by the same client, whom one of his girls is meeting with right now.

Poster art for Dressed to Kill (1980), an open question on post-credit scenes.

After witnessing a mysterious woman brutally slay a homemaker, prostitute Liz Blake finds herself trapped in a dangerous situation. While the police thinks she is the murderer, the real killer is intent on silencing her only witness.

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