Post-credit scenes: results for “tag: pub”

Poster for Last Night in Soho (2021). No votes yet on whether it has a post-credit scene.

A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.

Men (2022). Nobody has said whether there is anything after the credits.

In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone — or something — from the surrounding woods appears to be stalking her, and what begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears.

Film artwork for Avengement (2019), no verdict on the credits.

While on a prison furlough, a lowly criminal evades his guards and returns to his old stomping ground to take revenge on the people who turned him into a cold blooded killer.

Key art for Baghead (2023), unanswered on the post-credit question.

Following the death of her estranged father, Iris learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor to discuss the estate. Little does she know, when the deed is signed she will become inextricably tied to an unspeakable entity that resides in the pub’s basement – Baghead – a shape-shifting creature that can transform into the dead.

The Royal Hotel (2023) poster. Still unanswered: is there a scene after the credits?

After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.

The Old Oak (2023). Nobody has said whether there is anything after the credits.

A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.

Poster for Unwelcome (2023). No votes yet on whether it has a post-credit scene.

Londoners Maya and Jamie escape their urban nightmare to the tranquility of rural Ireland only to discover malevolent, murderous goblins lurking in the gnarled, ancient wood at the foot of their new garden. When heavily pregnant Maya’s relationship with a local family turns sour, who – or what – will come to her rescue and to what extremes will she go to protect her unborn child?

Poster, Ophelia (2026). Nobody has voted on this one.

A year after her girlfriend's death, grief-stricken rockstar Ophelia returns to the stage to perform her newly-written magnum opus - one which she hopes will bring her lost love back from the dead, no matter the price.

The Invisible Man's Revenge (1944) poster. The count is still zero.

A fugitive, dangerous madman reaches an English village where he confronts his former partner who left him for dead in the jungle after their discovery of a diamond mine. When the former partner also claims to have since lost the mine and all its wealth, which he took all for himself, and though the partner is still living in a state of luxury , the madman takes up an offer from a crazed scientist to make him invisible, something the scientist has already done with experimental animals, so that he can take revenge.

Movie art for Botecu (2024), post-credit scene unknown.

Two crocheters face off in an endurance showdown for the grand prize. With every beer they finish, a new pull tab is woven into their crochet work, turning the competition into a battle to see who can drink, crochet, and endure until the very end.

Pub House (2024) artwork. Still a mystery after the credits.

Reeling from a recent separation, a single mother and her young son move into a pub-attached house and fall prey to their invasive new landlord.

Avenue Montaigne (2006). Nobody has said whether there is anything after the credits.

A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.

Movie poster for The Nan Movie (2022), waiting for its first vote.

Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.

Moloch (2022) artwork. Still a mystery after the credits.

Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

Poster for Meat Raffle (2025). Never been answered.

Cumbria, 1998. Terrified he's turned his son queer, closeted dad Rich plots to rig his local pub's Christmas turkey draw to prove what it means to be a real man.

The Local Stigmatic (1990) poster image. Zero votes so far.

Two symbiotic sociopaths play obscurely deviant mind games with each other while engaging in perversely brutal acts of violence against victims apparently chosen at random

Meantime (1983). Nobody has said whether there is anything after the credits.

A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

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