Post-credit scenes: results for “tag: pursuit”

Poster for The Warriors (1979). Never been answered.

Prominent gang leader Cyrus calls a meeting of New York's gangs to set aside their turf wars and take over the city. At the meeting, a rival leader kills Cyrus, but a Coney Island gang called the Warriors is wrongly blamed for Cyrus' death. Before you know it, the cops and every gangbanger in town is hot on the Warriors' trail.

Movie art for The Chase (1994), post-credit scene unknown.

Jack Hammond is sentenced to life in prison, but manages to escape. To get away from the police he takes a girl as hostage and drives off in her car. The girl happens to be the only daughter of one of the richest men in the state. In a while the car chase is being broadcast live on every TV-channel.

Movie art for Slow West (2015), post-credit scene unknown.

In the Old West, a 17-year-old Scottish boy teams up with a mysterious gunman to find the woman with whom he is infatuated.

Poster, The Clearing (2004). Nobody has voted on this one.

When affluent executive Wayne Hayes is kidnapped by a disgruntled employee and held for ransom in a forest, Wayne’s wife is forced to reckon with the FBI agents as they negotiate with the kidnapper.

Image for Niagara (1953), a film with no post-credit data.

Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.

Switchback (1997) cover. Nothing recorded about its credits.

After FBI agent Frank Lacrosse believes his son was kidnapped by a notorious serial killer, he travels to Amarillo, Texas, where he believes the murderer is in hiding. Although officially taken off the case because of its personal significance to him, Frank continues to pursue the killer, causing concern for local sheriff Buck Olmstead. When another victim pops up at a nearby car garage, Frank knows that he is as close as he'll ever be to tracking down the elusive killer.

Image for The Outer Threat (2026), a film with no post-credit data.

After making a groundbreaking extraterrestrial discovery, astrophysicists Daniel and Michelle are forced to flee from home with their family — pursued through the countryside by a relentless and anonymous assailant. As their flight unfolds, the line between cosmic revelation and human paranoia blurs, leading to a tense and emotional confrontation that challenges the boundaries of understanding, science, and survival.

Hell Bent for Leather (1960). Nobody has said whether there is anything after the credits.

When Clay Santell stops in the town of Sutterville after having his horse stolen, he is mistaken by townspeople for a murderer named Travers. The townspeople capture Santell, and turn him over to lawman Harry Deckett. Deckett, who is tired of chasing the real Travers, decides to kill Santell and pass him off as Travers. Santell escapes from Deckett, taking lovely Janet Gifford hostage in the process. Janet comes to believe Santell's story, and helps him in his struggle to prove his real identity.

Key art for Lupin the IIIrd: Fujiko's Lie (2019), unanswered on the post-credit question.

Fujiko Mine, the devastating femme fatale whose only loyalty is to her desire, befriends a young boy whose late father hid away a fortune. A killer is on the boy's trail and it's up to Fujiko to stop him: but where do her interests really lie?

Key art for The Last Run (1971), unanswered on the post-credit question.

A former mob getaway driver from Chicago has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job - to drive a dangerous crook and his girlfriend to France.

Cover image for Hector and the Search for Happiness (2014), not yet voted on.

Hector is a quirky psychiatrist who has become increasingly tired of his humdrum life. As he tells his girlfriend, Clara, he feels like a fraud: he hasn’t really tasted life, and yet he’s offering advice to patients who are just not getting any happier. So Hector decides to break out of his deluded and routine driven life. Armed with buckets of courage and child-like curiosity, he embarks on a global quest in hopes of uncovering the elusive secret formula for true happiness. And so begins a larger than life adventure with riotously funny results.

Poster for LUPIN THE IIIRD: Zenigata and the Two Lupins (2025), awaiting its first vote.

Inspector Zenigata pursues Lupin as the prime suspect behind a terrorist attack. But when he manages to confront the famous thief, he quickly deduces that the bomber is a second, fake Lupin. Now, it's up to Zenigata to capture both Lupins and solve the mystery behind the bombing.

Movie poster for Off the Wall (1983), waiting for its first vote.

Two young hitchhikers are picked up a speed-crazed young woman, who tears around the countryside. She leaves them to take the blame for her activities, and they find themselves sentenced to six months in prison. The girl, feeling bad about what she did to them, resolves to break them out of the prison

Key art for Street Warriors (1977), unanswered on the post-credit question.

Based on the juvenile delinquency of the 1970s and 80s in Spain. Set in Barrio de la Mina in Barcelona, one of the most conflict neighbourhoods in Spain. it follows real juvenile delinquents all with criminal records, used to give the film a realistic touch.

Delivery Run (2024) artwork. Still a mystery after the credits.

A food delivery driver gets caught in a deadly chase in the icy Minnesota wilderness, pursued by a crazed snowplow driver for unknown reasons, facing life-threatening situations and forced to outsmart his relentless pursuer alone.

Cover image for The Red Balloon (1956), not yet voted on.

A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.

Poster for Thoroughly Modern Millie (1967). Never been answered.

Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

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