Post-credit scenes: results for “tag: race relations”

Movie art for Do the Right Thing (1989), post-credit scene unknown.

Sal is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

Poster for American Fiction (2023), awaiting its first vote.

A novelist fed up with the establishment profiting from "Black" entertainment uses a pen name to write a book that propels him into the heart of hypocrisy and the madness he claims to disdain.

Cover image for The Color Purple (2023), not yet voted on.

A decades-spanning tale of love and resilience and of one woman's journey to independence. Celie faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood.

Empire of Light (2022) poster. Still unanswered: is there a scene after the credits?

The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.

Sorry to Bother You (2018) artwork. Still a mystery after the credits.

In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

Poster for Driving Miss Daisy (1989), blank on post-credit scenes.

The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.

Get on the Bus (1996): nobody has checked the credits yet.

Fifteen Black men gather in South Central LA to take a cross-country bus trip to attend the Million Man March in Washington, DC in October 1995. Among the attendees are an eclectic set of characters, including a laid-off aircraft worker, a man whose at-risk son is handcuffed to him, a Black Republican, a former gangsta, a Hollywood actor, a cop of mixed racial background, and a white bus driver. All make the trek discussing issues surrounding the March, including manhood, religion, politics, sexuality, and race.

O.J.: Made in America (2016) poster. Still unanswered: is there a scene after the credits?

A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.

The Sunset Limited (2011) cover. Nothing recorded about its credits.

A deeply religious black ex-con thwarts the suicide attempt of an asocial white college professor who tries to throw himself in front of an oncoming subway train, 'The Sunset Limited.' As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.

Dear White People (2014) poster. The count is still zero.

A campus culture war between Blacks and whites at a predominantly white Ivy League college comes to a head when the staff of a satirical magazine stages an offensive Halloween party.

Poster for Trial (1955). No votes yet on whether it has a post-credit scene.

A Mexican boy accused of rape and murder becomes a pawn for Communists and red-baiters. A courtroom drama set in 1947 and underlying post-WW2 acute problems facing the USA such as stormy race relations and the growing threat of local communism.

Movie poster for The Killing of America (1981), waiting for its first vote.

A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.

Poster for Follow The River (1995), awaiting its first vote.

Mary Ingles is pregnant when she and her two sons are captured from their homestead in Virginia's Blue Ridge Mountains by Shawnee Indians. Her husband, Will, narrowly escapes death during the attack. Impressed by her grace under the pressure of captivity, Wildcat, the Shawnee chief, confers special privileges on Mary and her children, eventually proposing that Mary become his mate. Surprised by her attraction to the handsome brave, Mary nonetheless opts to remain faithful to Will and engineers a plan for her escape. Separated from her children, Mary joins another female settler, and together they embark on a harrowing homeward trek. Her odyssey comes full circle more than a decade later when she is finally reunited with her long-lost children.

Robby (1968) cover. Nothing recorded about its credits.

Shipwrecked on a tropical island, a young boy befriends an abandoned native youth, forcing him to reevaluate societal prejudice about race, religion and nudity.

Poster for Sally White (2025). No votes yet on whether it has a post-credit scene.

Sally White seemed like the perfect tenant: med student, great credit, safe name. But when she arrives eight months pregnant and unapologetically Black, her roommates realize they've been "namefished" and their comfort zone's not so comfy.

Movie poster for Milisuthando (2024), waiting for its first vote.

Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn't know it was happening until it was over.

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