Post-credit scenes: results for “tag: racetrack”

Poster art for The Champ (1979), an open question on post-credit scenes.

Billy used to be a great boxer, but he's settled into a hardscrabble life that revolves around drinking, training horses, and the one bright spot in his existence — his young son, T.J. Although Billy has had custody of T.J. since his wife, Annie, left the family years ago, her return prompts a new struggle for the former fighter. Determined to hold on to his son, Billy gets back into the ring to try and recapture his past success.

Cover image for Pale Flower (1964), not yet voted on.

A recently released gangster has to cope with the recent shifts of power between gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

Film poster, Buck Privates Come Home (1947). No post-credit verdict yet.

Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.

Film poster, The Last Days of Frankie the Fly (1996). No post-credit verdict yet.

Dreaming of ascending the underworld ladder and gaining revenge on his sadistic boss, Sal, a Mafia flunky, Frankie, tries to take a step in the right direction by "saving" an exploited, drug-addicted porn actress, Margaret.

California Split (1974) artwork. Still a mystery after the credits.

Carefree single guy Charlie Waters rooms with two lovely prostitutes, Barbara Miller and Susan Peters, and lives to gamble. Along with his glum betting buddy, Bill Denny, Charlie sets out on a gambling streak in search of the ever-elusive big payday. While Charlie and Bill have some lucky moments, they also have to contend with serious setbacks that threaten to derail their hedonistic betting binge.

The Boy From Indiana (1950) poster. Still unanswered: is there a scene after the credits?

Happy-go-lucky aspiring sportswriter Lon Decker from Indiana who has aspirations of becoming a sportswriter meets the shrewd and larcenous old man, "Mac" Dougal during his wandering. Mac likes to ensure his bets on Quarter-Horse races by doping a horse or two here and there. When Lon finds out Mac intends to fleece wealthy rancher Zelda Bagley he sets out to stop him.

Don't Bet on Love (1933) artwork. Still a mystery after the credits.

A plumber wins big at the racetrack but then his luck runs out and almost ruins his business. His manicurist girlfriend stands by him and helps him readjust to life as a plumber.

Movie art for Michael Shayne: Private Detective (1940), post-credit scene unknown.

Millionaire sportsman Hiram Brighton hires gumshoe Michael Shayne to keep his spoiled daughter Phyllis away from racetrack betting windows and roulette wheels. After Phyllis slips away and continues her compulsive gambling, Shayne fakes the murder of her gambler boyfriend, who is also romancing the daughter of casino owner Benny Gordon, in order to frighten her. When the tout really ends up murdered, Shayne and Phyllis' Aunt Olivia, an avid reader of murder mysteries, both try to find the identity of the killer.

Key art for Steptoe & Son Ride Again (1973), unanswered on the post-credit question.

Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.

The Gambler and the Lady (1952) poster. The count is still zero.

A greedy but successful professional gambler wants to join the British Establishment when he falls in love with a blue-blooded lady. But first he must mend his ways and then dump his nightclub singer girl friend. She's not so easy to get rid of, neither is his past.

Key art for The Criminal (1960), unanswered on the post-credit question.

When a robbery at a racetrack goes wrong ex-con Johnny Bannion is caught and sent back to prison. He won't tell the rest of the gang where he has stashed the loot leading to violent consequences.

Poster, Burnout (1979). Nobody has voted on this one.

Troubled teenager Scott aspires to be a professional drag race car driver. Scott makes several faltering attempts to break into the world of drag racing with the help of his affluent businessman father Jeff. Undaunted, Scott decides to spurn Jeff's advice by branching out on his own by going on the road as a gopher for a successful drag race car driver.

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