Post-credit scenes: results for “tag: racial profiling”

Poster for In the Heights (2021). No votes yet on whether it has a post-credit scene.

The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.

Image for The Hate U Give (2018), a film with no post-credit data.

Raised in a poverty-stricken slum, a 16-year-old girl named Starr now attends a suburban prep school. After she witnesses a police officer shoot her unarmed best friend, she's torn between her two very different worlds as she tries to speak her truth.

Locks (2009) poster. The count is still zero.

A young man in Oakland, California wakes with a heavy heart and decides to take a walk through the neighborhood to the local barbershop.

Poster for Incarceration Nation (2021). No votes yet on whether it has a post-credit scene.

An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.

A Picture of You (2014). Nobody has said whether there is anything after the credits.

Kyle and Jen, estranged siblings, travel from New York City to rural Pennsylvania to pack up the home of their recently deceased mother. While there, they make a discovery that turns their world upside-down. A Picture of You is a serious movie about life that gets sideswiped in the supermarket parking lot by a funny movie about death. It’s a story about family, loss, secrets, letting go, and starting anew.

Watched (2017) poster image. Zero votes so far.

This short 19-minute documentary is an intimate and moving exploration of the profound and far-reaching impact of surveillance on Muslim American individuals and communities. Premiering at the 2017 Tribeca Film Festival, WATCHED is told through the personal experience of two women, both coming of age in New York. The film charts the devastating toll of surveillance and reveals the scars it leaves behind.

Poster for What Measures to Save a People? (2015), blank on post-credit scenes.

The physician and professor Herman Lundborg headed the world’s first state racial biology institute in Uppsala, Sweden, from 1922 to ’35. He was obsessed by the threat of racial mixing between Sámi, Finns and Swedes in the north. On his travels, he is drawn to a woman of Finnish-Sámi descent, and has a child with her.

Poster art for Profiled (2016), an open question on post-credit scenes.

Profiled is a feature length documentary that knits the stories of mothers of Black and Latin unarmed youth murdered by the NYPD into a powerful indictment of racial profiling and police brutality, and places them within a historical context of the roots of racism in the U.S. Driven by anger when their demands for justice are ignored the women transition from grieving parents to activists participating in the grass roots movement now spreading across the country since the much-publicized deaths of Michael Brown and Eric Garner.

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