Post-credit scenes: results for “tag: reality vs fantasy”

Film artwork for Coraline (2009), no verdict on the credits.

Wandering her rambling old house in her boring new town, 11-year-old Coraline discovers a hidden door to a strangely idealized version of her life. In order to stay in the fantasy, she must make a frighteningly real sacrifice.

Barbie (2023). Nobody has said whether there is anything after the credits.

Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.

Bridge to Terabithia (2007) cover. Nothing recorded about its credits.

Jesse Aarons trained all summer to become the fastest runner in school. So he's very upset when newcomer Leslie Burke outruns him and everyone else. Despite this and other differences including that she's rich, he's poor, she's a city girl, and he's a country boy the two become fast friends. Together they create Terabithia, a land of monsters, trolls, ogres, and giants where they rule as king and queen.

A Nightmare on Elm Street (2010) artwork. Still a mystery after the credits.

Teenagers Nancy, Quentin, Kris, Jesse and Dean are all neighborhood friends who begin having the same dream of a horribly disfigured man who wears a tattered sweater and a glove made of knives. The man terrorizes them in their dreams, and the only escape is to wake up. But when, one by one, they start dying violently, the friends realize that what happens in the dream world is real, and the only way to stay alive is to stay awake.

Ghostland (2018) poster. Still unanswered: is there a scene after the credits?

A mother of two inherits a home from her aunt. On the first night in the new home she is confronted with murderous intruders and fights for her daughters’ lives. Sixteen years later the daughters reunite at the house, and that is when things get strange...

Poster art for Blonde (2022), an open question on post-credit scenes.

From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, this reimagined fictional portrait of Hollywood legend Marilyn Monroe blurs the lines of fact and fiction to explore the widening split between her public and private selves.

Poster, The Magician (1958). Nobody has voted on this one.

A traveling magician and his troupe arrive in a Swedish town in the 1840s, where their act is scrutinized by local authorities and a skeptical medical official. Their stay leads to a series of confrontations that test the boundaries between performance, belief, and deception.

Key art for Monsters (2010), unanswered on the post-credit question.

Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear and half of Mexico was quarantined as an infected zone. Today, the American and Mexican military still struggle to contain "the creatures," while a journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the U.S. border.

Film artwork for The Room (2019), no verdict on the credits.

Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.

Image for The Lost Prince (2020), a film with no post-credit data.

Djibi lives alone with Sofia, his 8-year-old daughter. Every night, he invents a story to put him to sleep. When Sofia falls asleep, these extraordinary stories come to life somewhere in an imaginary world inhabited by knights, pirates and other dragons. In this world that belongs only to them, Sofia is always the princess to save, and the brave Prince is none other than Djibi himself. But 3 years later, the entry of Sofia to the college will mark the end of her childhood. To the despair of her father, she no longer needs her stories at night. On the one hand, Djibi will have to accept that his daughter will grow up and move away from him. On the other hand, in the World of Stories, the Prince will have to face the most epic of all his adventures. Find your destiny in a world where it no longer has a place.

Film artwork for Cast Me!, no verdict on the credits.

Aanya is a young actor who believes she's landed the role of a lifetime after an audition with a famous actor-turned-first-time director. But when the studio overturns the casting decision, her search for answers spirals into obsession, blurring the line between ambition, performance and reality.

Poster for Blind (2014), awaiting its first vote.

Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.

Poster, A Matter of Life and Death (2026). Nobody has voted on this one.

Haya's convinced she's going to die before thirty, so she's living like it — loud, reckless, completely unfiltered, no brakes. Then one of her stunts goes wrong and lands her in the ER... right into Youssef. A heart surgeon. Calm, controlled, lives by a schedule. The human opposite of her in every way. Naturally, she decides he's her destiny. What follows is chaotic, funny, and a little bit ridiculous — neon nights, strange rituals, the kind of moments you can't plan for. Her countdown keeps ticking. His walls keep cracking. And somewhere in between, they both start remembering what it actually feels like to be alive. A love story for anyone who's ever felt like too much.

Poster art for Stripper (1985), an open question on post-credit scenes.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

Face to Face (1976) poster. The count is still zero.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Poster for Wonderwell (2023). No votes yet on whether it has a post-credit scene.

In an idyllic Italian village, a young American girl on the threshold of adolescence is swept into a timeless magical adventure in Wonderwell.

Key art for Man of La Mancha (1972), unanswered on the post-credit question.

In the 16th century, poet, playwright and part-time actor Miguel de Cervantes has been arrested, together with his manservant, by the Spanish Inquisition. They're accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other inmates gang up on Cervantes and his manservant, staging a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense—the story of Don Quixote.

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