Post-credit scenes: results for “tag: receptionist”

Poster for Ghostbusters (1984), awaiting its first vote.

After losing their university jobs, three parapsychologists start a ghost-catching business in New York City and uncover a supernatural threat that could destroy the world.

Movie art for Planes, Trains and Automobiles (1987), post-credit scene unknown.

An irritable marketing executive, Neal Page, is heading home to Chicago for Thanksgiving when a number of delays force him to travel with a well meaning but overbearing shower curtain ring salesman, Del Griffith.

Movie art for Dead Ringers (1988), post-credit scene unknown.

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

Sleep Tight (2011). Nobody has said whether there is anything after the credits.

César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.

Caught (1949) poster. Still unanswered: is there a scene after the credits?

Wide-eyed and poor young Leonora weds an obsessive millionaire named Ohlrig, but the marriage is loveless. Even worse, Ohlrig seems to have manic, violent tendencies. Eventually, young Leonora escapes her unhappy life and begins working with New York City doctor Larry Quinada, who she soon falls for. Unfortunately, Ohlrig refuses to grant his wife a divorce, and things get even darker for Leonora when she realizes she's pregnant with his child.

Movie poster for Just Like a Woman (2013), waiting for its first vote.

Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a darker secret.

Film poster, The Fight for Life (1940). No post-credit verdict yet.

The Fight for Life was documentary filmmaker Pare Lorentz' first "dramatic" film, utilizing the talents of several top New York stage actors. A tribute to the Chicago Maternity Center and its efforts to provide the best possible care for destitute mothers, the film is based on the book of the same name by Paul de Kruif. Myron McCormick plays the largest role as a dedicated intern, while others in the cast include such theatrical heavywrights as Will Geer, Dudley Digges and Dorothy Adams. The film's many vignettes range from the tragic (a mother dying in childbirth in the opening scene) to the exultant (another mother rescued from the brink of death in a disease-ridden tenement). Filmed in Chicago, Detroit and Cleveland, Fight for Life is a worthwhile effort, though Lorentz seems more comfortable with the "actuality" scenes than with the dramatized passages.

I Am Your God (1983) cover. Nothing recorded about its credits.

A traveling middle-aged woman plans to stay overnight in Bosnian town. In her dreams, she gets sexually aroused by a thought of young receptionist, whose father doesn't let him to meet with the girl he loves.

Key art for Private Road (1971), unanswered on the post-credit question.

Receptionist Anne’s new relationship with nascent writer Peter is opening her eyes to a new lifestyle, one far removed from her comfortable middle-class background.

Poster, No Coke (2007). Nobody has voted on this one.

A stubborn English tourist visits a Norwegian hotel with a vending machine and a sign with the text "No Coke". Based on true events.

Poster for The Receptionist (2025). Never been answered.

The new receptionist, Jessica, is gifted an access card by her older boss Frank, making her feel uncomfortable. After telling her boyfriend, he dismissively tells her to try forgetting about it, but Frank's unwelcome actions only grow more persistent. Each day there is another layer of harassment not only by her boss but from everyone who surrounds her. This noir short film explores the subtle, yet relentless, nature of harassment. Showing how the power dynamics at play, can be hard to call out, and how reclaiming that power can be a quieter act.

Film poster, Check Inn (2004). No post-credit verdict yet.

The story of two women, Glenda and Maita, both breadwinners and both work in a motel. One works as a receptionist for it, the other uses it for her profession.

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