Post-credit scenes: results for “tag: religious conversion”

Image for Ben-Hur (1959), a film with no post-credit data.

In ancient Judea, a Jewish aristocrat opposing Roman occupation of his homeland reunites with his childhood friend, now a Roman commander — setting in motion a saga of betrayal, adventure, tragedy, revenge, and faith.

Film artwork for The Mission (1986), no verdict on the credits.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

Poster for Fireproof (2008), blank on post-credit scenes.

A heroic fire captain values dedication and service to others above all else, but the most important partnership in his life, his marriage, is about to go up in smoke.

Film poster, Jinn (2018). No post-credit verdict yet.

Summer is a carefree teenage girl whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety.

Embrace of the Serpent (2015) poster image. Zero votes so far.

The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.

Léon Morin, Priest (1961): nobody has checked the credits yet.

Barny, although a Marxist, is intrigued by the mysteries of religion. In confession, she teases a priest, Léon Morin, but he is a young and intelligent man and ready to discuss anything.

Poster, The Rapture (1991). Nobody has voted on this one.

A lonely telephone operator leading an empty, amoral life finds God – only to have her faith continually tested in ways beyond what she could have imagined.

Poster for Salam (2022). Never been answered.

In the French music world, the beginning of the 2000s was marked by the arrival of a young rapper, Diam's. Over the course of three albums, she has become a phenomenon in France, as well as in many countries around the world. Diam's has won some of the most prestigious awards in French music, graced the covers of countless magazines, and sold millions of records. However, in 2010, at the height of her fame, Diam's made a life choice that shocked the French: she converted to Islam. How did a tortured and suicidal artist find her way to peace? For the first time Diam's, known to her family as Mélanie, tells us the real story.

Poster for Second Glance (1992). No votes yet on whether it has a post-credit scene.

A Christian teenager, missing out on his fun years, begins to contemplate his religion but is given the ability to SECOND GLANCE his life had he not been a leader sent by Him.

Poster, Saving God (2008). Nobody has voted on this one.

Ex Con Armstrong Cane (Ving Rhames) returns to home a changed man looking to take over his father's old church and congregation. The neighborhood though is full of drugs and gangs. Those who are able are leaving for more prosperous areas and falling in with a slick preacher (Ricardo Chivara). Even with a dangerous gang leader (Dean McDermott) threatening his flock, Armstrong won't give up.

Poster, Convinced (2015). Nobody has voted on this one.

Why would intelligent, successful people give up their careers, alienate their friends, and cause havoc in their families...to become Catholic? Donald Johnson travels around the country to get the story for himself.

Cover image for Ephraim's Rescue (2013), not yet voted on.

From T.C. Christensen, director of the sensational pioneer film, 17 Miracles, comes the heroic true story of a simple man who was called to do the work of angels. Ephraim’s Rescue relates the story of Ephraim Hanks: a rescuer of the Martin Handcart company. Follow Ephraim as his adventures lead him to join the LDS Church and ultimately to one of the most heroic rescues in American history. With a unique desire to help and strengthen others, Ephraim learns that each choice we make can prepare us for what lies ahead. He discovers, through it all, that decisions determine destiny.

Poster for Treasure in Heaven: The John Tanner Story (2009). Never been answered.

As the director of such films as "The Touch of the Master's Hand", "Praise to the Man" and "Gordon B. Hinckley: A Giant Among Men", T.C. Christensen has touched the hearts of millions of Latter-day Saints with his exemplary filmmaking. Now he shares the incredible true story of a man who had everything he wanted, but discovered something greater in sacrificing all for the building of the Kingdom. "Treasure in Heaven" is the true story of John Tanner, a wealthy New York landowner and convert to the Church who in 1834 sold his properties to assist the Church. He freely gave all he had, giving us an example of generosity and consecration in serving the Lord.

Film artwork for Unidentified (2006), no verdict on the credits.

Two magazine reporters are sent to Texas to investigate a string of UFO sightings. As two distinct theories begin to develop. Both reporters are driven to prove their own theory, but in the end, only one can be right.

Film artwork for The God Cafe (2019), no verdict on the credits.

A worship pastor and successful Christian music artist faces a crisis when his marriage and career begin to collapse. Can an encounter with two mysterious strangers awaken him to peace that transcends understanding?

Image for The Ornament of the World (2019), a film with no post-credit data.

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

Poster art for Linda & Ali: Two Worlds Within Four Walls (2006), an open question on post-credit scenes.

Irritated by Catholicism, Linda, an American-based, Blonde Caucasian, falls in love with Qater-based Ali Al-Saigel, adopts the Islamic faith, and gets married. She follows her new faith to the letter, and subsequently gives birth to seven children (four daughters and three sons), brings them up according to true Islamic dictum's, and reflects on her 20-year married life, her children, as well as her reaction when her husband indicates that he wants to re-marry.

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