Post-credit scenes: results for “tag: rules”

The Transporter (2002) cover. Nothing recorded about its credits.

Former Special Forces officer Frank Martin will deliver anything to anyone for the right price, and his no-questions-asked policy puts him in high demand. But when he realizes his latest cargo is alive, it sets in motion a dangerous chain of events. The bound and gagged Lai is being smuggled to France by a shady American businessman, and Frank works to save her as his own illegal activities are uncovered by a French detective.

Key art for Transporter 2 (2005), unanswered on the post-credit question.

Professional driver, and former Special Forces officer, Frank Martin is living in Miami, where he is temporarily filling in for a friend as the chauffeur for a government narcotics control policy director and his family. The young boy in the family is targeted for kidnapping, and Frank immediately becomes involved in protecting the child and exposing the kidnappers.

Image for Exam (2009), a film with no post-credit data.

Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation. Entering a windowless room, where an armed guard keeps watch, they are given 80 minutes to answer one simple question.

Poster for The Day Will Come (2016). Never been answered.

Set in the blooming 1960s, the film centres on two young brothers who are instantly robbed of their lives when they are placed in a boy's home forgotten by time. Armed only with a vivid imagination and a fickle hope, the boys engage in the frightening battle against Headmaster Heck and his lethal tyranny. The film is based on actual events.

Poster for Sundown (2025). Never been answered.

Three gold miners searching for riches find a forgotten town. To survive the night, they must obey its bizarre rules, where every mistake is fatal.

Poster for Rules of the Game (2018), blank on post-credit scenes.

Luna is on the autism spectrum and doesn't like talking to other people. But when her dead spider friend Gullas mysteriously disappears, she has to embark on a dubious mission.

Never Be A Victim (1996) poster image. Zero votes so far.

POLICE OFFICER JIM BYRNE, Canada's most honoured Safety Education Specialist brings you his famous TEN RULES, with which he has personally tested more than 25,000 students. Learn key strategies now taught in many schools and used by police working with the full NEVER BE A VICTIM Institutional Study Program. Develop your own personal streetproofing skills so you can train and test your family. Robert Gordon, who created this remarkable program in partnership with Metropolitan Police introduces this family video library against a backdrop of today's troubled society. TEACHING LIFE SKILLS FOR A SAFER COMMUNITY OFFICER JIM'S TEN RULES FOR STREETPROOFING • STRANGER MYTHS • ABDUCTION • BEING FOLLOWED • DANGEROUS PLACES • AVOIDING CARS AND VANS • GOOD TOUCHING-BAD TOUCHING

20 Rules! For Sylvie (2014) cover. Nothing recorded about its credits.

Adalbert, a paranoid, overprotective single dad imposes a set of 20 rules on his daughter Sylvie before she leaves the small town of Ormont-Dessus for university. Making sure that she obeys them perfectly, he secretly follows her to Basel, but ends up falling in with a party crowd and breaking all the rules himself.

Image for 4 Chairs, a film with no post-credit data.

4 Chairs is a video from the series Stills Made in Museums which stages the behavioral rules that derive from the strange constructs which "protect" and "exhibit" art. Museum Stills explores both extremes of this behaviour, from the over-identification and even psychological breakdown that can occur in front of works of art to the practiced performance of indifference in the interstitial stairways and corners of these colossal institutions.

Poster for Portrait of a Gentleman, awaiting its first vote.

Portrait of a gentleman is a video from the series Stills Made in Museums which stages the behavioral rules that derive from the strange constructs which "protect" and "exhibit" art. Museum Stills explores both extremes of this behaviour, from the over-identification and even psychological breakdown that can occur in front of works of art to the practiced performance of indifference in the interstitial stairways and corners of these colossal institutions.

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