Post-credit scenes: results for “tag: science and technology”

Movie art for BlackBerry (2023), post-credit scene unknown.

Two mismatched entrepreneurs – egghead innovator Mike Lazaridis and cut-throat businessman Jim Balsillie – joined forces in an endeavour that was to become a worldwide hit in little more than a decade. The story of the meteoric rise and catastrophic demise of the world's first smartphone.

Poster for Can We Cool the Planet? (2020). Never been answered.

Capturing CO2 to recycle it, brightening clouds to better intercept sunlight, massive reforestation: here's an overview of scientific solutions to combat global warming that offer a glimmer of hope.

The Deep Med (2020) poster. The count is still zero.

The Mediterranean. Because people have been travelling there for thousands of years, it is believed to be without secrets. And yet, far below its surface, lie vast unexplored territories, luxurious gardens worthy of the finest tropical coral reefs. These natural wonders are inaccessible to the traditional diver, in a twilight zone, between 60 and 120 m, where there’s less than 1% of sunlight. If diving at such depths is always a challenge, staying there is a fantasy, a utopia that becomes reality in Planet Mediterranean. In the tradition of Commander Cousteau and his "houses under the sea," the team of diver-photographer Laurent Ballesta is undertaking a new world-record setting mission in complete freedom and without time limit.

Poster for Darkside (2022), blank on post-credit scenes.

When an unthinkable tragedy disrupts the lives of astronaut Sam Bowman and his wife Sarah, Sam accepts an interstellar mission to save the lives of a missing crew on a deep space voyage, abandoning his life on Earth in the process. But when a critical failure leaves him without a crew, and without hope, he's forced to reckon with a harrowing guilt he can no longer avoid.

Electric Bodies (2021) artwork. Still a mystery after the credits.

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

Poster for Pioneers in Skirts (2020), blank on post-credit scenes.

Pioneers in Skirts is an Emmy-nominated 60-min documentary following filmmaker Ashley Maria’s quest to peel back the layers of obstacles that can limit a woman or girl's pioneering ambition.

Eventual (2023). Nobody has said whether there is anything after the credits.

In a world where the future is for sale, a grieving man visits a mysterious Time Spa, seeking a glimpse of his future. However, he discovers that some truths are more challenging than the past he's desperate to escape.

Hyperland (1990): nobody has checked the credits yet.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

Into the Ice (2022) poster image. Zero votes so far.

In the Greenland ice sheet we can see our future. The film travels with three pioneering glaciologist on their expeditions INTO the inland ice of Greenland. Top-notch science meets breathtaking visuals when one of them descends into a 200 meter deep moulin hole to find out about the bottom of the ice sheet. What they find may sound the alarm for our planet's climate and is a clear call to act now.

Movie poster for Maret (2023), waiting for its first vote.

After losing part of her memory, Maret, 44, sets out to find out who she used to be. She learns about the many different life paths she followed, in none of which anything was ever really achieved. A profoundly unhappy person in a never-ending, headlong rush. A doctor on the island of Lanzarote offers to put this restlessness to an end through brain surgery. A promise of peace and satisfaction. Will Maret proceed with the surgery that would take away part of her being - or not?

Wild Wild Space (2024) cover. Nothing recorded about its credits.

Follow three rocket and satellite companies – Astra Space, Rocket Lab, and Planet Labs – and the quests of their idiosyncratic founders to conquer the burgeoning space industry.

Cover image for Our Friend the Atom (1957), not yet voted on.

Dr. Heinz Haber, a noted scientist in the field of atomic energy, hosts this look at the possibility of an exciting new power source. He starts by comparing atomic energy to a genie in a bottle, both of which capable of doing both good and evil, and it is up to humankind to develop safe controls over this largely unexplored science.

Planet (2025): nobody has checked the credits yet.

Planet tells the story of a man who dreams of building an artificial planet from the ground up, asking the question, "Is the sacrifice required to create something truly great worth it in the end?" Set in the year 2730 IA, Dr. Evren Kon dares to think beyond a United Council request to build an orbital supercomputer and proposes an idea far bolder: a plan to build an artificial planet. The film takes place during the final century of the project.

Film poster, Moon: The Battles of Space (2019). No post-credit verdict yet.

July 20, 1969. Apollo 11 lands on the surface of the Moon. Such a feat was apparently performed to the greater glory of all mankind, but actually it marked the end of the space race disputed by the two great superpowers of the time in their eagerness to arrive before and the beginning of the spread of the Cold War into space. Nowadays, the struggle continues, but the main competitors and their purposes are others.

Alternate Earth (2025) poster. Still unanswered: is there a scene after the credits?

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Poster for The Lie Detector (2023), awaiting its first vote.

In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.

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