Post-credit scenes: results for “tag: security system”

Ocean's Eleven (2001). Nobody has said whether there is anything after the credits.

Less than 24 hours into his parole, charismatic thief Danny Ocean is already rolling out his next plan: In one night, Danny's hand-picked crew of specialists will attempt to steal more than $150 million from three Las Vegas casinos. But to score the cash, Danny risks his chances of reconciling with ex-wife, Tess.

Ocean's Thirteen (2007) cover. Nothing recorded about its credits.

Danny Ocean's team of criminals are back and composing a plan more personal than ever. When ruthless casino owner Willy Bank doublecrosses Reuben Tishkoff, causing a heart attack, Danny Ocean vows that he and his team will do anything to bring down Willy Bank along with everything he's got. Even if it means asking for help from an enemy.

Poster art for Hardware (1990), an open question on post-credit scenes.

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

Unlawful Entry (1992) poster. Still unanswered: is there a scene after the credits?

When Michael and Karen Carr’s home is robbed, the couple strike up a friendship with duty officer Pete Davis. But the disturbed cop develops an intense fixation on Karen, and his idea of friendship soon turns into a dangerous obsession, making him the Carrs’ worst nightmare.

Home Invasion (2016) cover. Nothing recorded about its credits.

Terror arrives at the one place we all feel safest... When a wealthy woman, Chloe, and her stepson, Jacob, are targeted by a trio of expert thieves in their remote mansion, her only form of help comes from a call with Mike, a security systems specialist. But as the intruders become increasingly hostile and the connection wavers, will she trust him to be her eyes and navigate her to safety?

Cover image for See for Me (2022), not yet voted on.

When blind former Olympic skier Sophie Scott cat-sits in a secluded mansion, she gets caught in the crossfire of a home invasion scheme. She must rely on a sighted Army veteran via the See for Me app to help her survive the night.

Poster for Bad Ben (2016), blank on post-credit scenes.

Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first, he thought people were breaking in, but he soon realized he was dealing with something Paranormal.

Image for Red Road (2006), a film with no post-credit data.

Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.

Poster for Bellman and True (1987). No votes yet on whether it has a post-credit scene.

Hiller, a computer expert, was bribed by group of bank robbers to obtain details of the security system at a newly-built bank. Having obtained the information, he thought he'd seen the last of the robbers. But now they've traced him and his son to London. They hold the son hostage and force Hiller to decode the information about the alarm and then to take part in the robbery.

Decalogue X (1989). Nobody has said whether there is anything after the credits.

Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.

Key art for Coup de Grâce (2013), unanswered on the post-credit question.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients, but nothing is what it seems. How far are we willing to go to survive?

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