Post-credit scenes: results for “tag: servant”

Sense and Sensibility (1995) artwork. Still a mystery after the credits.

The Dashwood sisters, sensible Elinor and passionate Marianne, learn that their prospects of marriage seem doomed by their family's sudden loss of fortune. After Henry Dashwood dies unexpectedly, his estate must pass on by law to his son. These circumstances leave Mr. Dashwood's wife and daughters without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Movie art for Pan's Labyrinth (2006), no post-credit scene.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Key art for The Others (2001), unanswered on the post-credit question.

Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.

Poster for Babette's Feast (1987), blank on post-credit scenes.

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

Image for The Rules of the Game (1939), a film with no post-credit data.

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

Poster for The Visitors (1993). No votes yet on whether it has a post-credit scene.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

Poster for The Music Room (1958), blank on post-credit scenes.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Movie poster for A Princess for Christmas (2011), waiting for its first vote.

After her sister and brother-in-law's tragic deaths, an American woman who is the guardian for her young niece and nephew is invited to a royal European castle for Christmas by her late brother-in-law's father, the Duke of Castlebury. Feeling out of place as a commoner, she is determined to give her family a merry Christmas and surprises herself when she falls for a handsome prince.

Cover image for The Secret Garden (1993), not yet voted on.

A young British girl born and reared in India loses her neglectful parents in an earthquake. She is returned to England to live at her uncle's castle. Her uncle is very distant due to the loss of his wife ten years before. Neglected once again, she begins exploring the estate and discovers a garden that has been locked and forgotten. Aided by one of the servants' boys, she begins restoring the garden, and eventually discovers some other secrets of the manor.

Poster for Gosford Park (2001). No votes yet on whether it has a post-credit scene.

In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.

The Promise (2005) poster. The count is still zero.

An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she's loved has always been met with tragedy.

Poster for A Little Princess (1995). Never been answered.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.

Poster, Umberto D. (1952). Nobody has voted on this one.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

Lady Chatterley's Lover (1981). Nobody has said whether there is anything after the credits.

After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.

The Snorkel (1958) cover. Nothing recorded about its credits.

On the Italian coast, writer Paul Decker has grown unhappy in his marriage and executes what appears to be a perfect murder of his wife. While Paul is believed to be writing a book in France, his stepdaughter, Candy, suspects him of murdering her mother, as well as her father years before. With the police unwilling to investigate any further, Candy sets out to confirm her suspicions and take Paul down herself.

Merrily We Live (1938): nobody has checked the credits yet.

Society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome tramp who shows up at her doorstep and ends up in a chauffeur's uniform. He also catches the eye of Geraldine.

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