When a woman crashes at an empty Italian villa, posing as the owner's fiancée, she discovers an unexpected romance that could transform her life.
Post-credit scenes: results for “tag: squatter”
A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
After returning from a concentration camp, Susanne finds a traumatized ex-soldier living in her apartment in bombed out Berlin. Together the two try to move past their experiences during WWII.
A New Mexico cattle man and his strong-willed daughter clash over land and love.
After a hugely successful debut novel, Stewart Paylor is supposed to be delivering chapters of his new book. Unbeknownst to everyone around him, including Cynthia, his literary agent/girlfriend, Stewart has writer’s block and has not written a word. His life goes even further astray when he returns home from a vacation to find a homeless mother, Cassandra, and her two children, 12-year old Jake and 9-year old Vera have been squatting in his house, with nowhere to go.
No coffee, no TV, no sex is a dramatic comedy. It is the story of Arno, a 27 year old living in the Geneva squats. His best friend, Maurizio, obtained a residence permit for Switzerland through an convenience wedding. Nina, Maurizio’s girlfriend, is French but would also like to live in Geneva: she faces the same administrative obstacle. In order for her to obtain a permit, Maurizio convinces Arno, for the sake of their friendship, to marry her out of convenience. Reluctantly, Arno accepts and Maurizio, unsuspecting, leaves for a few days. Alone with Nina, Arno, usually shy with women, falls in love with her. She falls in love with him. When Maurizio returns, Arno cannot hide the truth from him. He and Nina end up telling him about their relationship. They reconsider the arrangement and try to settle the dilemma together…
Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.
A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.
The humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former East Germany. At the end of the 80s, they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to terms with the reason they separated 12 years ago.
Three men—from China, the Democratic Republic of Congo, and Palestine—live together in a squatted apartment in a seemingly abandoned building in Paris. The group is bound together by their shared experience of life in exile and the fleeting nature of their possessions, relationships, and sense of home, but the temporary safe space is threatened by outside forces and events.
A poor homesteader fights back when he's targeted for extinction by a powerful rancher and his gang of hired thugs.
Jessica Simmonds returns from overseas to find her retired professor father in a bitter public fight to save the historic Sydney waterfront houses on Angel Street. After her father's mysterious death, she joins forces with local residents and a union leader against corrupt forces. Based on the real life mysterious disappearance of Juanita Nielsen.
A group of tenants facing eviction due to a city renovation unite to fight back, but as they clash with the landlord and his ruthless attorney, they each transform into the opposite of who they once were.
A young woman, Abby, makes a deal with her younger brother Danny, allowing him to seek refuge at her apartment after an illegal job gone wrong. However, as days pass, she begins to question the faithfulness of his side of the deal, as well as the oddly intimate relationship he shares with his mannequin-shaped package.
Filmed for television at the legendary SO36 Club in Berlin, 1983.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
Two chipmunks have made a cozy little home for themselves in the wood-burning stove of an empty cabin. They sleep in a matchbox, wash up in an empty acorn shell filled with water and look at their reflections on the back of a spoon, which serves as their bathroom mirror. They even have a staircase made with a pocket comb. Invading their space are Mickey Mouse and his dog Pluto, who are all set for a swell vacation. They don't reckon on the two squatters. Pluto immediately discovers the presence of these two pests, but Mickey never finds out. All he knows is that when he tries to light the stove, the matches go out; he doesn't know the chipmunks are blowing them out. Soon, Mickey is outside chopping wood, while Pluto is alone with the chipmunks. Pluto wants blood, but he'll end up with a bottle of ketchup.
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.