Post-credit scenes: results for “tag: stallion”

Image for Secretariat (2010), a film with no post-credit data.

Housewife and mother Penny Chenery agrees to take over her ailing father's Virginia-based Meadow Stables, despite her lack of horse-racing knowledge. Against all odds, Chenery - with the help of veteran trainer Lucien Laurin - manages to navigate the male-dominated business, ultimately fostering the first Triple Crown winner in 25 years.

Poster for The Black Stallion (1979), awaiting its first vote.

While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion that is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a deserted island. He befriends it, so when finally rescued both return to his home where they soon meet Henry Dailey, a once successful trainer. Together they begin training the horse to race against the fastest ones in the world.

Key art for Windstorm (2013), unanswered on the post-credit question.

While spending the summer at her grandmother's farm, a girl discovers a talent for communicating with horses and tries to tame a fierce stallion.

Into the West (1992) poster image. Zero votes so far.

Accused of a crime they didn't commit, two city kids and a magical horse are about to become the coolest outlaws ever to ride Into The West.

Fury (1955). Nobody has said whether there is anything after the credits.

Jim Newton and his adopted son Joey navigate life on the Broken Wheel Ranch, with their close bond to the wild black stallion Fury.

Film artwork for The Wild Stallion (2009), no verdict on the credits.

C.J. and Hanna become the greatest of friends when the latter visits the former on the ranch where she lives, with the purpose of photographing the horses for her school project. The two unearth a secret plot which may put the mustangs in danger.

Wild Horses (2013) poster. The count is still zero.

Wild Horses tells the story of Mills, an established LA photographer, who returns to her native Nevada following an urgent call from her grandmother informing her that a band of wild horses close to their hearts, faces government roundup. In this story, that spans just one day, cruelty, courage, love and memory collide as two generations of women bear witness to the brutality common to wild horse roundups in the American West. Mills is exposed to a complex issue and follows her heart, choosing to ignore the consequences.

Poster for Phantom Stallion (1954), awaiting its first vote.

Ex-cavalry buddies, Rex and Slim, band together to capture a wild stallion, solve a murder and thwart the killers from cheating a boy out of his inheritance.

Poster for Powder River Rustlers (1949), awaiting its first vote.

Powder River Rustlers is a western film directed by Philip Ford in 1949. The railroad is coming and to get the townspeople's money. Shears Williams brings in a fake Agent who tells them they must raise $50,000 as their share of a railroad bridge. Railroad Agent Rocky Lane arrives and immediately spots the fake. A phony telegram assures Rocky his friend is still alive and he sets out to find him and his abductor.

Poster art for Wild Horse Valley (1940), an open question on post-credit scenes.

Bob Evans' Arabian stallion is stolen and Bob, with his friend Shag Williams starts on the trail that takes them to the horse ranch owned by Kimball and his daughter Ann, where the stallion is running wild. Baker, the ranch's crooked foreman, is utilizing the stallion as a decoy and, with his henchmen, Raymer and Winton, corrals the mares that follow the stallion in a hidden corral, intending to sell them across the state line.

The Fighting Stallion (1950) poster. The count is still zero.

Released from a navy hospital following WW II, Lon Evans learns that he faces eventual blindness and returns to his Wyoming ranch. He sees a beautiful white stallion named Starlight and his cowhands Lem and Yancy say he is a killer and cannot be trained. Lon disproves this by training the stallion to act as his guide in preparation for his future blindness.

Film poster, Snowfire (1958). No post-credit verdict yet.

A little girl living on an isolated ranch claims to have formed a bond of friendship with a pure white, "wild" stallion. The horse is well known in the area, almost legendary, and supposedly vicious. Is she just making it up, or is she telling the truth? If it's real, isn't it dangerous for her with a "killer" horse? Or is the horse as vicious as he's been portrayed?

Harmony Trail (1944) poster image. Zero votes so far.

Sent to investigate a payroll robbery, Marshall Rocky meets his old friends Ken, Eddie, and Max. He has the serial numbers and when Pop puts on his medicine show they get one of the bills. This enables Ken to see through Sorrell's scheme that threw the blame on an innocent rancher and he sets out to prove it. Written by Maurice Van Auken

Film artwork for Coyote Trails (1935), no verdict on the credits.

Tom Riley and sidekick Windy arrive at the Baker ranch where horses are being rustled. It appears the culprit is a wild horse, but Tom catches and rides the horse which leads to trouble with the real rustlers.

Film poster, Fighting Thoroughbreds (1939). No post-credit verdict yet.

A prize-winning stallion breeds off-guard with a mare owned by his rival. The colt is trained to race from birth, eventually running in the Kentucky Derby against another horse owned by its sire.

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