Post-credit scenes: results for “tag: statue”

The Sorcerer's Apprentice (2010): nobody has checked the credits yet.

Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.

Poster for Last Year at Marienbad (1961). Never been answered.

At a weekend gathering, a man tells a woman that they had spent time there together a year prior. But, the woman has no recollection whatsoever and is convinced that he is simply fabricating the encounter. The more he speaks about their activities the previous year however, the more compelling he becomes. The question remains however – did they meet previously or not?

Poster art for Godzilla vs. Mechagodzilla (1974), an open question on post-credit scenes.

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.

Image for Stadium Nuts (1972), a film with no post-credit data.

Les Charlots, a French rock group, continue their adventures, in the manner of the Beatles in Hard Day's Night. This is their second adventure. The foursome are on holiday, camping outside a village. The Olympic flame is going to pass through the village. A grocer, charged to prepare a celebration, calls upon the four to help. One of the four falls for the grocer's daughter. However, she runs away after the sportsman carrying the flame. The foursome set of to find her and win her back.

Movie poster for Flesh + Blood (1985), waiting for its first vote.

A band of medieval mercenaries take revenge on a noble Lord who cheated them by kidnapping his son's fiancée. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.

Key art for The Blood of a Poet (1932), unanswered on the post-credit question.

In a poet’s room, an armless statue abruptly comes to life. It invites the poet to step through a mirror and to discover another world. Strange places and characters present themselves to him. The poet tears himself away from these twisted fascinations and returns, with some difficulty, to his room.

The Seventh Curse (1986) cover. Nothing recorded about its credits.

When Dr. Yuen attempts to rescue a girl about to be sacrificed by the Worm Tribe in the middle of a jungle in Thailand, he is damned with seven deadly "blood curses" and must return there to find a permanent cure.

Poster for The Shrine (2010). No votes yet on whether it has a post-credit scene.

A group of young journalists investigate a cult said to practice human sacrifice, but their ambitious ways may lead them to becoming the cult's next victims.

Poster for Boy on a Dolphin (1957), blank on post-credit scenes.

Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold statue of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector, but Phaedra wants to give it to anthropologist Jim Calder, who would return it to the Greek government.

Poster art for Trigun: Badlands Rumble (2010), an open question on post-credit scenes.

In a quicksand surrounded town called Makka, rumors spread of a legendary robber named Gasback is after the town. To protect it, Mayor Kepler has hired bounty hunters. These hunters have been following Gasback from town to town in hopes of getting the bounty. Vash the Stampede is in town, along with Meryl and Milly, along with the female bounty hunter Amelia and Nicholas D. Wolfwood.

Movie art for The Great Man's Lady (1941), post-credit scene unknown.

In Hoyt City, a statue of founder Ethan Hoyt is dedicated, and 100 year old Hannah Sempler Hoyt (who lives in the last residence among skyscrapers) is at last persuaded to tell her story to a 'girl biographer'. Flashback: in 1848, teenage Hannah meets and flirts with pioneer Ethan; on a sudden impulse, they elope. We follow their struggle to found a city in the wilderness, hampered by the Gold Rush, star-crossed love, peril, and heartbreak. The star "ages" 80 years.

The Battle of Gettysburg (1955) artwork. Still a mystery after the credits.

This film was shot entirely at the Gettysburg National Military Park, where the decisive battle of the American Civil War was fought. Leslie Nielsen narrates the story while contemporary songs and the sounds of battle are heard in the background. The sites of the various engagements, the statues of the leaders of the Northern and Southern troops, and the battlefield cemetery are featured. President Abraham Lincoln's Gettysburg Address is read at the end.

Colonial Rocks artwork. Still a mystery after the credits.

A chance meeting of an art activist and a pompous Sunday painter at a public statue of Winston Churchill turns into a public event of insults in this political satire.

The Elk (2026) artwork. Still a mystery after the credits.

The Elk sculpture is a beloved icon in Portland, Oregon, but it was sidelined during the 2020 protests. Six years later, it returns, this time to a city and a nation divided over who or what belongs on a pedestal. As protest consumed Portland, Ore. in 2020, the city removed a beloved elk sculpture for safekeeping. Six years later, the elk is the first of the city's damaged monuments to return, and the only sculpture without controversy. But in a city that never really stopped protesting, people remain divided over why the elk went away—and what it means for the dinged-up but refurbished symbol to finally return. Set in an American city reckoning with its symbols of westward expansion, the unfolding fate of the elk and the other sculptures tells the story of a nation divided over who and what belongs on a pedestal.

Poster for Yearn (2025). No votes yet on whether it has a post-credit scene.

During an earthquake, two statues in an art museum finally hook up – defying the laws of religion, society, and physics. This is a story about love, lust, and the beauty in letting go of regressive messages about our bodies and our desires.

Poster for Porky's Hero Agency (1937). Never been answered.

Porky is reading the Greek myth of the gorgon, who turned everyone she looked at into stone. Mother tells him it's bedtime; he dreams of being Porkykarkus, the hero that saves Greece.

Gamera vs. Jiger (1970) poster image. Zero votes so far.

When a giant stone statue on Wester Island is disturbed, the legendary monster Jiger appears and heads for Japan. Gamera tries to stop this new rival, only to be injured when Jiger lays eggs inside of him. As two boys in a submarine go on a dangerous quest inside of Gamera's body to save him, Jiger threatens the Expo '70 world's fair in Osaka.

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