Post-credit scenes: results for “tag: stillness”

Movie poster for Visitors (2013), waiting for its first vote.

From the director of KOYAANISQATSI, an astonishing film that documents the drama of how we both live and witness what we experience. Shot in rich black and white Godfrey Reggio's latest film finds the full spectrum of emotion in human faces, gorgeous landscapes and even the behavior of an especially expressive gorilla.

Poster for Echoes of Silence (2025), awaiting its first vote.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.

Cover image for All the Days Ahead (2026), not yet voted on.

At the start of a new year in a rapidly changing Singapore, an ageing provision shop owner clings to the quiet repetition of his daily routine. When he’s asked to close his traditional shop for redevelopment plans, it leaves him wondering where he still fits in a city advancing ever ahead. Meanwhile, his estranged daughter, on the cusp of turning 30, sees the new year as her chance to begin a life abroad. Both are racing against time — one to hold on to what’s left, the other to finally reach for what could be.

Landscape of our Body (2024). Nobody has said whether there is anything after the credits.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

stop (2025) artwork. Still a mystery after the credits.

An ode to stillness, in the form of an experimental documentary miniature, inspired by Vitosha mountain and Sofia

Film poster, And Again I Feel the Coldness of the Marble Stairs. No post-credit verdict yet.

A portrait of a seemingly ordinary house - one that holds cherished memories while also bearing the burden of abandonment and neglect. Revisiting my grandparents’ house, I find myself exploring the intersection of home, nostalgia, and the passage of time while trying to grasp the essence of a place where time seems to stand still.

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