Post-credit scenes: results for “tag: stress”

Poster for Big Momma's House 2 (2006). Never been answered.

FBI agent Malcolm Turner goes back undercover as Big Momma, a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three dysfunctional upper-class kids in order to spy on their computer hacker father.

Movie art for Helter Skelter (2012), post-credit scene unknown.

Top model Lilico, having recently undergone multiple cosmetic surgeries, begins to experience troubling side effects. As she desperately tries to retain her perfect image, Lilico descends into a world of nightmares and makes those around her miserable.

Trauma Center (2019) poster image. Zero votes so far.

Lt. Wakes is a vengeful police detective determined to solve the murders of his partner and an informant, and joins forces with a witness injured during the shootings. After the killers pursue the witness across the abandoned floor of a hospital, she confirms Wakes's worst fears.

Key art for The Front Page (1974), unanswered on the post-credit question.

Ruthless Chicago newspaper editor Walter Burns resorts to dubious motives in order to get top reporter Hildy Johnson to cover one more big crime story before retirement.

Movie art for Moms' Night Out (2014), post-credit scene unknown.

Yearning for an evening without their kids, some friends plan a night out. But to do this, their husbands need to watch the kids. What can go wrong?

A Wife's Nightmare (2014): nobody has checked the credits yet.

Liz, just returned home after a mental breakdown, has to welcome a relative stranger into her home when Caitlin, a young, vivacious woman, claims to be her husband's daughter.

Two in a Crowd (1936) artwork. Still a mystery after the credits.

When two halves of a thousand-dollar bill are discovered in the snow, the penniless pair that individually grabs each half must come to terms. Actress Julia Wayne needs the whole $1,000, and so does sportsman Larry Stevens. Since compromise will serve neither of their needs, they are stalemated - until complications arise.

Poster for Stress: Portrait of a Killer (2008), awaiting its first vote.

Over the last three decades, science has been advancing our understanding of stress: how it impacts our bodies and how our social standing can make us more or less susceptible. From baboon troops on the plains of Africa, to neuroscience labs at Stanford University, scientists are revealing just how lethal stress can be. Research tells us that the impact of stress can be found deep within us, shrinking our brains, adding fat to our bellies, even unraveling our chromosomes. Understanding how stress works can help us figure out ways to combat it and how to live a life free of the tyranny of this contemporary plague. In Stress: Portrait of a Killer, scientific discoveries in the field and in the lab prove that stress is not just a state of mind, but something measurable and dangerous.

Cru (2019) poster image. Zero votes so far.

Young cook Jeanne wants to prevail in the world of the Haute Cuisine; but in this kitchen, blood and sweat are part of every meal.

Flitterwochen (1980) artwork. Still a mystery after the credits.

Customs officers Katti and Wolfgang are so deeply in love with each other that they are barely aware of their surroundings. But after the wedding reception, there's nothing but trouble.

Poster for 95 (2017). No votes yet on whether it has a post-credit scene.

Set in the final weekend of the year 1995 Ice Hockey World Championships, 95 tells through overlapping stories why Finland became a ice hockey world champion and how it affected the whole nation.

Aggretsuko: We Wish You a Metal Christmas (2018) poster image. Zero votes so far.

Red panda Retsuko, worked to the bone, unleashes her frustration in the form of death metal. Lately, though, she's found another joy—getting the most likes possible on her Instagram posts. In fact, it is said that social media attention can release endorphins. As Christmas falls upon the city, Retsuko's hunger for validation only grows, pushing her to find new ways to embellish and sugarcoat her otherwise drab life for the internet to see.

Movie art for A Little Help (2010), post-credit scene unknown.

It's a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it's a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.

Cover image for Hag. (2024), not yet voted on.

Reesa is a young woman who was raised in the Lowcountry of South Carolina by her grandmother, Myra, after her mother's death. Now an adult, Reesa is married to a loving partner, Khari, and is pregnant with her first child. The Gullah Geechee Urban legend of a boo hag plagues this pregnancy. This creature feeds on the stress and grief of families and at a time like this in Reesa's life, it has latched on tight.

Any Number Can Play (1949) artwork. Still a mystery after the credits.

When illegal casino owner Charley Kyng develops heart disease, he is advised by a doctor to spend more time with his family. However, he finds it difficult to keep his work separate from his life at home. His son, Paul, feels ashamed of Charley's career and gets into a fight at his prom because of it. Meanwhile, Charley's brother-in-law, Robbin, who works at the casino, begins fixing games due to his extreme gambling debts.

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