Post-credit scenes: results for “tag: stylized”

Cover image for Dandilicious (2021), not yet voted on.

A stylized neo-western about a day in the life of a Teddy Boy in 1959. Marty is living the life of a public menace within his own town. Getting into fights and causing disruption on the streets, Marty is the 'King of the Teds' - or is he?

Poster for Goodnight Moon & Other Sleepytime Tales (1999), awaiting its first vote.

Margaret Wise Brown and Clement Hurd's bestselling children's book headlines this winning 25-minute collection of sleepytime tales from HBO. Susan Sarandon narrates the simple story of a bunny readying for bed. Other top entertainers lend their voices to the tape: Tony Bennett sings the story of "Hit the Road to Dreamland"; Lauryn Hill brings rhythm to "Hush, Little Baby"; Billy Crystal lends many voices to Mercer Mayer's "There's a Nightmare in My Closet"; and singers Natalie Cole, Aaron Neville, and Patti LeBelle sing other tales. A dandy video for the youngster, punctuated with "interviews" of real kids answering a host of bedtime questions.

Image for Charlie Is Not a Boy (2026), a film with no post-credit data.

Charlie is Not a Boy is the tale of a hushed soul, bound to a crumbling household in an allegorical America. With a perverted butcher for a father and a mother frozen in a quiet, catatonic spell, Charlie seeks solace in the whimsical world of his eccentric grandmother. As his safe haven unravels, Charlie navigates the hostile worlds of home and the military, caught between his authentic self and the masks he must wear.

Poster art for Cartoons Ain't Human (1943), an open question on post-credit scenes.

Popeye sits down to make a cartoon. He shows the results to Olive and his nephews: it's a damsel-in-distress scenario, starring him and Olive, with live music and sound effects by Popeye.

Poster for Perceval (1978), blank on post-credit scenes.

The film chronicles Perceval's knighthood, maturation and eventual peerage amongst the Knights of the Round Table, and also contains brief episodes from the story of Gawain and the crucifixion of Christ.

Poster for Delfathoma (2023), blank on post-credit scenes.

Loosely inspired by H.P. Lovecraft's short story 'Beyond the Wall of Sleep', this film follows Jude Slater, a man who has recently inherited the house of an important figure in the town of Freasdal. What horrors lay in wait beneath the foundations of the home have yet to be seen.

Poster art for Boys Will Be Boys (2025), an open question on post-credit scenes.

Set in Portsmouth, we follow Samuel an aspiring Screenwriter with the world of potential but not positive network around him. We witness opportunities presented to him are thrown away due to the negative drug use around him. Samuel delves deep into that drug filled life. Becoming an eye opener Samuel must leave that old life behind and pursue what he loves.

Open files (1975): nobody has checked the credits yet.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Image for Scope (2025), a film with no post-credit data.

With the help of her therapist, Antonia must find out why she has developed an extreme obsession with circles before it's too late.

Poster art for Cosmo (2023), an open question on post-credit scenes.

As an astronaut mourns the death of her canine companions, a pet shop employee sees to help her fill the fluffy void. Unsuccessful, they both despair until a comet an an unexpected visitor descend destructively upon the city. They hatch a plan to save the day with a cosmically large game of fetch.

Poster, The Panic Inside. Nobody has voted on this one.

How does a chronic people-pleaser, who struggles to say no to his friends' constant requests, finally learn to set boundaries, confidently say no, and reclaim his personal freedom?

Film poster, In Hands Reach (2017). No post-credit verdict yet.

A young girl returns home to an empty apartment. She gets invited on a date but she has to finish her chores first. This would be very easy for her, but her addiction makes it a struggle.

Poster for The Ringing Bell (2020). No votes yet on whether it has a post-credit scene.

Judah is a young man with a condition - he dreams while he's still awake. His imagination makes it difficult for him to process the loss of an important person in his life, so when his cousin contacts him with a ridiculous scheme to get at the riches of their eccentric Uncle Airmid who has disappeared, Judah agrees to go along with it.

Film artwork for Avbrott (2026), no verdict on the credits.

A film about Chloé and Caleb - two teenagers from Gothenburg, whose lives collide in unexpected ways. One has just reported her boyfriend to the police and is about to enter a "fresh start", while the other is reluctantly appointed as an assassin by his criminal gang.

Movie art for The Lost Memories of Slumber, post-credit scene unknown.

The sun sets over the countryside leaving its inhabitants lost in nightmares masquerading as slumber. Three stories are shown, each one a twisted narrative about death and the aftermath of it.

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