Post-credit scenes: results for “tag: sunlight”

Movie art for Gremlins (1984), post-credit scene unknown.

After receiving an exotic small animal as a Christmas gift, a young man inadvertently breaks three important rules concerning his new pet, which unleashes a horde of malevolently mischievous creatures on a small town.

Poster for Daybreakers (2010). Never been answered.

In the year 2019, a plague has transformed almost every human into a vampire. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vampires on a way to save humankind.

Burning (2018) poster image. Zero votes so far.

Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.

Sunshine (2007). Nobody has said whether there is anything after the credits.

Fifty years into the future, the sun is dying, and Earth is threatened by arctic temperatures. A team of astronauts is sent to revive the Sun — but the mission fails. Seven years later, a new team is sent to finish the mission as mankind’s last hope.

Movie art for Near Dark (1987), post-credit scene unknown.

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

Cover image for Midnight Sun (2018), not yet voted on.

Katie, a 17-year-old, has been sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.

Film poster, Silent Running (1972). No post-credit verdict yet.

After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.

Cloud 99: nobody has checked the credits yet.

In a community where residents pay for access to sunlight, a father goes to extreme lengths to support his daughter’s entry in a school competition to grow sunflowers.

Cover image for Chasing the Equinox (2019), not yet voted on.

The ancients hid the secrets of their incredible knowledge of astronomy in their temples and palaces, built to align with the sun, on the same day, all over the world. Revealing our species' obsession with the sun, across thousands of years and every continent, this is architectural magic on a cosmic scale.

EXPOSURE (2024) poster image. Zero votes so far.

A short experimental film about light exposures, originally made as a school assignment.

Movie poster for Blanco (2013), waiting for its first vote.

A man and a woman, brother and sister. A big old country house. Silence. It´s a summer morning. When he goes to the town to buy something, she wanders in the back yard. But is she alone? The animals look at her. The parrots cry on the trees. Later, he gives her a present: a pair of white shoes. He makes her try them on. The light pours into her naked legs, she enjoys the gift. Time is infinite. But something inside of him changes and he leaves the room. In the kitchen, they begin to chop some fruit. Bright, juicy and shiny slices of peaches. Suddenly, in the distance, a dog starts to bark. He wants to know where they left the shovel. He goes out of the house. Everything turns to silence again.

Poster for Iamthemorning: Ocean Sounds (2018). No votes yet on whether it has a post-credit scene.

Shot at and named after a remote recording studio on a Norwegian island, the footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music's most talented composers. The content captures Iamthemorning's live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of Blue Sea (the first track to be written for the duo's upcoming fourth album and exclusive to the Blu-ray). The studio was designed with panoramic windows that allow the stunning back-drop of Giske Island and the Norwegian Sea to be integrated into the performances (a location that is featured in glorious high-definition on this Blu-ray). Marjana commented, "It was the most inspiring place for us to work in, surrounded by the sea, mountains, wild flowers and gorgeous Norwegian sunsets. All of the natural splendour we don't see that often."

Light Leak (2021) cover. Nothing recorded about its credits.

Light is information, a signal more lasting than recollection. If there’s anyone out there to receive the message. Isolated in a sealed apartment, a lone observer regards an outside world outside become increasingly unreal or unreachable. Archaic illuminations, old slides and the pin-lights of the camera obscura, crawl across the walls. Connections fray. Time loses meaning. A science fictional essay film, or its inverse. A rumination on optics, memory, data, and endings.

Cover image for Another Sunny Day (2017), not yet voted on.

Imagine how life must be for someone whose skin has no protection whatsoever from the sun. And now imagine living in a country that averages over 80% sunshine during any given year. Welcome to Paulus's life in Namibia.

Key art for It Is Better to Know How (1960), unanswered on the post-credit question.

Mane Karakas comes to a small coastal town to dig a hole for watering system. He tries to brighten up the town's sleepy atmosphere. The local journalist who misunderstood Karakas writes an article about new popular melody festival in town. When it was about time for the contract to be signed, Mane explains it is all a big misunderstanding, but singers and orchestras already arrived. Music is everywhere, but Mane goes elsewhere to look for the oil.

Key art for For The Other Side, unanswered on the post-credit question.

In a sunlit field, Layda and Maya share music and stillness. As the afternoon unfolds, their moment of ease becomes a meditation on privilege, freedom, and collective responsibility, as they confront the question of what peace truly demands when it exists by chance rather than choice.

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