Post-credit scenes: results for “tag: theater performance”

Movie art for Kokuho (2025), post-credit scene unknown.

Nagasaki, 1964: Following the death of his Yakuza father, 15-year-old Kikuo is taken under the wings of a famous Kabuki actor. Alongside Shunsuke, the actor’s only son, he decides to dedicate himself to this traditional form of theatre. For decades, the two young men grow and evolve together – and one will become the greatest Japanese master of the art of Kabuki.

Poster for Grand Central Murder (1942), awaiting its first vote.

Conniving Broadway starlet Mida King has plenty of enemies, so when she's found murdered at Grand Central Station, Inspector Gunther calls together a slew of suspects for questioning. Mida's shady ex-flame, Turk, seems the most likely culprit, but when smart-mouthed private eye Rocky Custer -- also a suspect himself -- begins to piece together the crime, a few clues that Gunther has overlooked come to light.

Movie art for Micha Wertheim: Someone Else (2017), post-credit scene unknown.

This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.

Poster, Razakar (2025). Nobody has voted on this one.

"Razakar" is a period drama set in pre-Bangladesh-separation Pakistan, exploring the political tensions of the time. The story follows Jamal, an aspiring Bengali actor, as he grapples with the challenges posed by his uncompromising director, mirroring the larger socio-political conflicts unfolding around them. Through personal struggles and political subtext, the film raises poignant questions about identity and division.

Image for Stuff (2015), a film with no post-credit data.

Trish and Deb Murdoch are in a rut. After 14 years together and raising two daughters, they find themselves in a mid life crisis where grief and attraction threaten their domestic nucleus.

The Railway Children (2016): nobody has checked the credits yet.

At the dawn of the 20th century, following their father's arrest on suspicion of betraying state secrets, the three Waterbury children—Bobbie, Phyllis and Peter—move with their mother to Yorkshire, where they find themselves involved in unexpected dramas along the railway by their new home. This stage-to-screen version, filmed at the National Railway Museum, features the steam train from the much-loved original feature film.

Micha Wertheim: Somewhere Else (2017) poster. The count is still zero.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

New Faces (1954) cover. Nothing recorded about its credits.

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Poster art for Rodinné striebro (2008), an open question on post-credit scenes.

A selection of the best scenes and songs from the theatre's rich history, using STV archive material. Stanislav Štepka, an inseparable part of the naive scene and its "father", will accompany us through the 45-year history of the theatre and its characters from the village of Radošina.

Film artwork for Sing Faster: The Stagehands' Ring Cycle (1999), no verdict on the credits.

With its four operas, seventeen-hour running time and months of rehearsal, Wagner's "Ring Cycle" is a daunting undertaking for any opera company. Jon Else goes backstage to show this rare event entirely from the point of view of union stagehands at the San Francisco Opera.

Image for Micha Wertheim: Voor Alle Duidelijkheid (2020), a film with no post-credit data.

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

Cover image for Pán Strom (2023), not yet voted on.

A centennial beech tree takes the stage and vividly recounts its hundred-year life, sharing humorous, poignant, and sometimes tragic episodes that unfolded on and around it.

Imperfect (2021) poster. Still unanswered: is there a scene after the credits?

A professional company of actors with disabilities defies expectations by taking center stage in Chicago the musical.

Poster for LENI (2015), blank on post-credit scenes.

The play is an atypical story about Leni Riefenstahl, Adolf Hitler's court director, one of the best filmmakers in the world, who rose to fame thanks to films commissioned by the Third Reich. The character of Leni was portrayed by Zdena Studénková in the drama of the Slovak National Theatre. The original Slovak play Leni by Valerie Schulczová and Roman Olekšák is about a fictional meeting of two real people. The legendary presenter Johnny Carson, whose "The Tonight Show Starring Johnny Carson" was one of the most watched talk shows in America for thirty years, and the controversial Leni Riefenstahl, Adolf Hitler's "court director". It's 1974, Johnny is at the height of his career, and Leni is in America presenting her first completed project since the defeat of Germany - a book of photographs from Africa - Last of Nubu. But Johnny knows what his audience is more interested in than art.

Poster, Joan of Arc at the Stake (2012). Nobody has voted on this one.

On November 17, 2012, Oscar-winning French actress Marion Cotillard joined the Barcelona Symphony and Catalonia National Orchestra for a performance of Arthur Honegger’s oratorio Joan of Arc at the Stake (Jeanne d'Arc au Bûcher) at the L'Auditori de Barcelona in Spain, broadcast live on Medici.tv. By Swiss composer Arthur Honegger, Jeanne d'Arc au Bûcher (1938) is an imposing oratorio. The libretto is a highly original creation by French poet and playwright Paul Claudel, who dramatises the last moments of the martyr's life. Originally written for actress Ida Rubinstein, the oratorio is written as a flashback in which Joan recalls her life, just before she dies. Honegger creates visually evocative ambiances and fills the orchestra with new sounds (saxophones, ondes Martenot). The initial prologue to the piece was added in 1944 as a symbol of the resistance during the Nazi occupation of France: again, Joan goes beyond her own story.

Poster for Beautiful Thing (2013), awaiting its first vote.

This 20th anniversary production of Jonathan Harvey's play about two working class teenage boys falling in love on a south east London council estate was captured by Digital Theatre live at the Arts Theatre in London's Leicester Square.

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