Post-credit scenes: results for “tag: tourism”

Movie art for The Wave (2015), post-credit scene unknown.

Although theorised, no one is really ready when a mountain pass above the scenic and narrow Geiranger fjord in Norway collapses and creates a tsunami over 300 feet high. A geologist is one of those caught in the middle of it.

Key art for Jaws 2 (1978), unanswered on the post-credit question.

Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.

Batagur Baska (2016) cover. Nothing recorded about its credits.

They gather here every day. They come from far and without purpose. They don't know each other and they won't come to know each other. They carry their gadgets to optimize the experience. They engage with the world through a small frame. They believe that this moment will remain unforgotten.

Natchez (2026). Nobody has said whether there is anything after the credits.

Filmmaker Suzannah Herbert takes a sharp look at the American South’s unreconciled history through a Mississippi town that mixes antebellum tourism with a community deeply divided over its past. With an unflinching lens, the film captures the debates, memories, and tensions that are building toward a reckoning.

Poster art for 12 Men of Christmas (2009), an open question on post-credit scenes.

A high-powered New York publicist finds herself in Montana promoting a charity calendar after being betrayed by her boss and fiancé. Unfortunately, matters of the heart are just as complicated in the wilds as they are in the big city.

Film poster, Dead Echo (1934). No post-credit verdict yet.

A young tourist has an accident during a holiday hike in the Tatra Mountains. The romance he begins with the highlander woman who takes care of him leads to tragedy.

Corporate Animals (2019) cover. Nothing recorded about its credits.

Disaster strikes when the egotistical CEO of an edible cutlery company leads her long-suffering staff on a corporate team-building trip in New Mexico. Trapped underground, this mismatched and disgruntled group must pull together to survive.

Cover image for Fruitful Florida (1917), not yet voted on.

"We have only one really tropic state in the good old U.S.A., and that is Florida, and so, just returning from the tropics of the Far East, Mr. Holmes suggests taking up his travels in his own country with what we have to compare with the sunny lands of the Orient. Therefore, it is to the place from which alligators, oranges, grapefruit and many of our cigars come from that he will take your patrons in this delightful tropical journey. While the little journeyette introduces them to many unusual sights in Florida there is one we are holding in reserve."

Cover image for Bait (2019), not yet voted on.

Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.

Film poster, Algeria from Above (2015). No post-credit verdict yet.

Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.

Film artwork for Lesvia (2025), no verdict on the credits.

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

Carnival Pilgrims (2020) cover. Nothing recorded about its credits.

Director-cinematographer Mika Mattila tours the tourist attractions of the world and films inconspicuously the formulaic behaviour of the tourist masses.

Poster for Make Like a Thief (1964). No votes yet on whether it has a post-credit scene.

Arrested for a murder he didn't commit, American adventurer Bart Lanigan is about to be deported from Finland on a freighter. In the Helsinki harbor, he himself becomes a target for a hit man but manages to escape back to land. Lanigan contacts Arvo Mäki, a womanizing local con man recommended to him as a man he could trust. Lanigan is in Finland to catch an American millionaire businessman, Leonard Weston alias Lawrence Walker, who has fled the USA with the company's monies and begun investing them in Finland. Looking for the mysterious L.W. character while trying to get rid of various hit men, Lanigan and Mäki travel around picturesque southern Finland, joined by a pretty night club singer Marja Salo who won't leave Lanigan alone and insists on marrying him.

Poster, Tsatsiki, Dad and the Olive War (2015). Nobody has voted on this one.

Tsatsiki longs for the summer holidays when he will go to Greece to live with his dad Yanis. When Tsatsiki arrive at the village, it is not quite as he remembered it. Guesthouses and taverns are empty, there is a crisis in Greece and in his beloved village. When his dad delivers the bad news that he might have to sell both the hotel and the olive grove, Tsatsiki becomes upset. However, Tsatsiki's mother has taught him to never give up. He realizes that it is up to him to save the hotel, otherwise his beloved place in Greece will be lost.

Poster for Charlie & Boots (2009). No votes yet on whether it has a post-credit scene.

After a family tragedy, Charlie and his estranged son, Boots, try to put their differences aside and head off on the road trip of a lifetime - from regional Victoria to the Cape York Peninsula - they overcome many challenges to reach their dream - to fish off the northernmost tip of Australia.

Key art for The Four Seas (1962), unanswered on the post-credit question.

An English-speaking advertisement film produced by the Information Center (Hasbara) in cooperation with the Israel Government Tourist Corporation, intended to promote international tourism to Israel’s coasts and four seas: the Mediterranean Sea, the Sea of Galilee, the Dead Sea and the Red Sea. The film presents to potential tourists the options for a beach and sea vacation in Israel, whether in the coastal cities along the Mediterranean such as Nahariya, Acre and Tel Aviv where one can fish, swim or sail, a visit to Tiberias to the shores of the Sea of Galilee where water skiing developed in recent years, and a vacation in the Dead Sea. Upon visiting the southern city of Eilat with its shores along the Red Sea, one can experience the beauty of diving, as depicted in the underwater photography of the coral reefs in Eilat.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.