Post-credit scenes: results for “tag: trans”

The Zanctuary (2016). Nobody has said whether there is anything after the credits.

The Zanctuary is a decadent bar in Lower Manhattan owned by a former prostitute, Dora Ramona del Pilar. An undercover police detective follows an investigation on human trafficking discovering what's hidden under the bar: rooms filled with Dora's terrible sins and her attempts at redemption.

Esta Noche artwork. Still a mystery after the credits.

ESTA NOCHE follows Benni, a gay, homeless, 17-year-old Latin American runaway, and his much older boyfriend, RJ/25, on the day of Benni's first drag competition — which gets turned upside down when Benni suffers a brutal assault and is left wondering whether or not he can continue doing the show... and if so, why.

Poster, The Shakes. Nobody has voted on this one.

A transgender artist who suffers from tremors is interviewed about her work for a podcast - but the interviewer doesn't know that she has recently discovered an unusual new way to deal with "the shakes".

Poster for From the Heart (2026). Never been answered.

Ana is a dedicated housekeeper, considered "part of the family". When her employer demands cod for an important dinner, and there is none at home, the desperate search for the ingredient turns into anxiety, pushing Ana to her breaking point.

Poster art for Cocotte (2026), an open question on post-credit scenes.

Charlotte, a trans girl, gets in a feud with her grandmother Mamie over her hormone injection.

Ovenbird's Nest. Nobody has said whether there is anything after the credits.

Lean (25) is a transfeminine person living in El Dorado, Canelones Uruguay. In the early stages of her transition, she struggles with the “masculine” perception of her body. Every day, she meticulously observes herself in the mirror and transforms herself with her own hands. Lean is also a philosophy teacher at Los Cerrillos High School. Within the institution, we see a certain rigidity and discretion in her, but also the bond she shares with her students, with whom she opens up about aspects of her personal life. She is surrounded by her chosen family, House of Infernal, where she can openly discuss issues related to trans life with complete naturalness. Together, they attend kikis, events within Uruguay’s ballroom scene, where they perform and express themselves through their bodies. In this way, our protagonist manages to escape the heteronormative everyday life by creating safe spaces and building a community of people who support one another.

Survival (2026) artwork. Still a mystery after the credits.

Shot entirely on an iPhone, Survival represents a journey through ones own darkness.

Poster for TransParent Love (2026). Never been answered.

In a country where being transgender still carries risk, Mexican mothers and their children embark on an intimate journey toward understanding. Amid silences, memories, and words that once caused pain, they recount their process of mutual transformation—from fear to chosen love. This documentary reveals that love can be learned, that it can defy fear, and that even in hostile environments, accompaniment becomes an act of resistance.

Something You Should Know About Me (2026) poster image. Zero votes so far.

In this sweet and raunchy trans rom-com, insecure cartoonist Al is faced with his most daunting prompt yet: confess his true feelings for his best friend or risk losing him to a handsome nemesis.

Becoming a Man in 127 EASY Steps (2024) poster. Still unanswered: is there a scene after the credits?

Part comedy special, part oral history, part love letter to becoming your true self, Becoming a Man in 127 EASY Steps chronicles two decades of Emmy-nominated creator/performer Scott Turner Schofield’s life as an out transgender man. With a knowing nod to the often-overlooked comedy of transitioning, the film reflects on the many layers of becoming oneself, exploring nuanced truths and breaking important new ground in trans representation. Twice censored (so far) and arriving amid a cultural and legislative reckoning, the film resists simplification in what it explores, how it tells the story, and the form it takes. Instead, Schofield brings vulnerability, wit, and presence to the details of his own life, connecting the personal to the universal and reminding audiences of all we share. Funny, profound, and fiercely honest, Becoming a Man in 127 EASY Steps celebrates complexity and invites viewers to consider, more deeply and compassionately, what becoming—and being—a man can mean.

Film artwork for Band-Eat-O, no verdict on the credits.

A transgender man gets a job at a Mexican restaurant in London. When people start going missing, eyes turn to the animatronic animal characters who perform on the restaurant’s stage.

Key art for Georgina, unanswered on the post-credit question.

Bienvenido, a grieving widower, finds his routine disrupted when a young woman sent to keep him company helps him confront emotions he has long avoided.

Poster for Family Tides (2026). No votes yet on whether it has a post-credit scene.

Everyone deserves to feel like they belong in their hometown. Family Tides is a documentary that explores growing up queer and trans in small seaside towns, opening up the conversation about what it feels like to lack a traditional sense of home, and how that can be found in community.

Film poster, Help! My Room8te is Trying to Kill Me! (2026). No post-credit verdict yet.

Sam is anxious around their flatmate Jordan’s imminent move and whether their friendship will survive beyond it. The arrival of Big Tech’s latest invention changes the dynamic in the flat even more so in strange and mysterious ways. Through resisting this physical cyber-attack, unspoken feelings finally come to the surface.

Meridiano (2025) poster. Still unanswered: is there a scene after the credits?

An intimate essay about memory and belonging in the city of Porto Alegre, RS.

Cover image for Refuge, not yet voted on.

Affluent American couple visit Goa, India to re-assess their marriage and meet a local girl who instigates a confrontation between the two.

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