Post-credit scenes: results for “tag: transgender”

A Man Called Otto (2022) poster. The count is still zero.

When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.

Poster for Emilia Pérez (2024). The jury is out on the credits.

Rita, an underrated lawyer working for a large law firm more interested in getting criminals out of jail than bringing them to justice, is hired by the leader of a criminal organization.

Poster for A Fantastic Woman (2017), awaiting its first vote.

Marina's life is thrown into turmoil following the death of her partner. Mourning the loss of the man she loved, she finds herself under intense scrutiny from those with no regard for her privacy.

Cover image for The Crying Game (1992), not yet voted on.

Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.

Movie poster for Colette (2018), waiting for its first vote.

After marrying a successful Parisian writer known commonly as Willy, Sidonie-Gabrielle Colette is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels.

Key art for Kiss of the Spider Woman (2025), unanswered on the post-credit question.

Valentín, a political prisoner, shares a cell with Molina, a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna.

Poster art for Dorothy (2026), an open question on post-credit scenes.

Set in a world shaped by caste, violence, and toxic masculinity, two childhood friends grow up inseparable in rural Tamil Nadu. Their lives are transformed by the arrival of Dorothy, a woman whose compassion quietly challenges the world around them.

Image for Assassination Nation (2018), a film with no post-credit data.

After an anonymous hacker begins leaking the private data of thousands living in a small American town, the townspeople spiral into madness, with four high school seniors at the center of the maelstrom.

Poster for Transamerica (2005), blank on post-credit scenes.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Deliver Us from Evil (2020): nobody has checked the credits yet.

A retired contract killer goes on a bloody rampage when a young girl finds herself at the mercy of gangland human traffickers and only one man can come to her rescue, with an arsenal of weapons and years of experience in the art of killing.

Image for Vitória (2025), a film with no post-credit data.

Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

Poster, Joyland (2022). Nobody has voted on this one.

As a patriarchal family yearns for the birth of a son to continue their family line, their youngest son secretly joins an erotic dance theatre and falls for its transgender starlet.

The Stroll (2023) poster. The count is still zero.

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

Cover image for Close to You (2024), not yet voted on.

A trans man returns to his hometown for the first time in years. On his journey, he confronts his relationship with his family, reunites with a first love, and discovers a newfound confidence in himself.

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