Two estranged brothers are brought together when they have opposite roles in a racist beating: while Georgi who's recently joined a neo-nazi group participates in the violence, Hristo witnesses and rescues a Turkish family. Only by reuniting will the two brothers be able to assess what they really want from life.
Vlad Țepeş, otherwise known as Vlad the Impaler and Dracula, fights the Ottoman Turks on the battlefield and the Hungarian Boyars in his court.
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
At the age of 35, Ece is the assistant general manager of a company that produces baby diapers. She has a happy relationship with her lover Alper. Because Ece resists Alper’s desire to have a child, they cannot get married. At this moment, the 10-year-old Rüzgar, a snatching gang member, unexpectedly enters their lives and changes everything. After that, their journey on becoming a family evolves. They bring down a street gang, take control of their lives and manage to become a big family.
