Post-credit scenes: results for “tag: tv show”

Movie poster for A Beautiful Day in the Neighborhood (2019), waiting for its first vote.

An award-winning cynical journalist, Lloyd Vogel, begrudgingly accepts an assignment to write an Esquire profile piece on the beloved television icon Fred Rogers. After his encounter with Rogers, Vogel's perspective on life is transformed.

Poster for Galaxy Quest (1999). No votes yet on whether it has a post-credit scene.

For four years, the courageous crew of the NSEA Protector — Commander Peter Quincy Taggart, Lieutenant Tawny Madison, and Doctor Lazarus — set off on a thrilling and often dangerous mission in space... until their series was cancelled! Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beam up the crew of has-been actors to save the universe. With no script, no director, and no clue, the actors must turn in the performances of their lives.

Hannah Montana 20th Anniversary Special (2026). Nobody has said whether there is anything after the credits.

Filmed in front of a live studio audience and hosted by Alex Cooper of 'Call Her Daddy' fame, Miley Cyrus reflects on the creation and impact of the series with never-before-seen archival footage, all the while interacting and reminiscing on some of the show's most memorable sets 'brought back to life' — including the Stewart family living room and the legendary Hannah Montana closet.

Key art for Guest House Paradiso (1999), unanswered on the post-credit question.

Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But when a famous Italian filmstar, Gina Carbonara, who is in hiding from a fiance she doesn't want to marry, arrives at the hotel, things get very interesting!

kid 90 (2021) artwork. Still a mystery after the credits.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

Decalogue I (1989) artwork. Still a mystery after the credits.

Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.

Key art for Getting LOST (2024), unanswered on the post-credit question.

A documentary revisiting the global television phenomenon LOST. Featuring interviews with the cast and crew, as well as members of the loyal fan base who still celebrate the show twenty years after it originally aired.

Fury (1955). Nobody has said whether there is anything after the credits.

Jim Newton and his adopted son Joey navigate life on the Broken Wheel Ranch, with their close bond to the wild black stallion Fury.

Key art for Decalogue III (1989), unanswered on the post-credit question.

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

Film artwork for Decalogue V (1989), no verdict on the credits.

Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.

Film poster, 100% Rivales (2024). No post-credit verdict yet.

In the 2000s, Vicente Viloni and La Masa became legendary wrestling rivals and idols for kids across the country. The hit television show "100% Lucha" brought a spectacle of skill and drama to every home, forging a famous rivalry that transcended the screen, leaving a mark on national culture. After the conflict that separated them for ten years, they face each other in the ring and relive great moments from their careers.

Movie art for Greed Kills (2005), post-credit scene unknown.

A mix of show clips, archival materials, and interviews with Greenwalt, McNamara, Pasdar, executive producer Stephen J. Cannell, and actors Lisa Blount and Lisa Zane. This documentary covers the development of the McNamara/Greenwalt partnership as well as the origins of Profit, its path to the screen, shooting the “Pilot” and attached controversies, casting, character issues and the approaches taken by the actors, the use of voiceovers, inspirations and related concepts, storylines, stretching boundaries and censorship, reactions to the show and its legacy.

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