Post-credit scenes: results for “tag: twitter”

Key art for Chef (2014), unanswered on the post-credit question.

When Chef Carl Casper suddenly quits his job at a prominent Los Angeles restaurant after refusing to compromise his creative integrity for its controlling owner, he is left to figure out what's next. Finding himself in Miami, he teams up with his ex-wife, his friend and his son to launch a food truck. Taking to the road, Chef Carl goes back to his roots to reignite his passion for the kitchen -- and zest for life and love.

Tragedy Girls (2017) artwork. Still a mystery after the credits.

McKayla and Sadie, two death-obsessed teenage girls, use their online show about real-life tragedies to send their small Midwestern town into a frenzy and cement their legacy as modern horror legends.

Poster for Catch Hell (2014). Never been answered.

Former Hollywood star Reagan Pearce is kidnapped by two men connected to his past while on location in Louisiana. When he wakes up bound and chained in a rundown shack, he soon discovers the real motives of his captors and finds himself in the middle of a twisted scheme with little chance to survive. With no rescue in sight, Reagan must use every ounce of strength he has left to break free and get his revenge.

Zola (2021). Nobody has said whether there is anything after the credits.

A waitress agrees to accompany an exotic dancer, her put-upon boyfriend, and her mysterious and domineering roommate on a road trip to Florida to seek their fortune at a high-end strip club.

Poster for Memes & Nightmares (2024), blank on post-credit scenes.

If one of the most popular memes goes missing from Twitter, would anyone notice? NBA Twitter King Josiah Johnson seeks an answer, where his journey explores our relationship with ephemeral media, and each other in the digital age.

Movie art for Frank (2014), post-credit scene unknown.

A young wannabe musician discovers he has bitten off more than he can chew when he joins an eccentric pop band led by the mysterious and enigmatic Frank.

Poster, Do Not Track (2015). Nobody has voted on this one.

Somehow everyone knows that you reveal everything about yourself on the internet - where you are, what you are interested in, who you communicate with, when, where and how. The interactive documentary shows what the internet knows about us, what happens to our data and what this means for our view of the world. The 30-minute television version presents the highlights of the web documentary series about the multi-billion dollar business with our data. The international web project 'Do Not Track' shows the consequences of internet tracking (derived from the English 'to track'), which companies such as Google and Deutsche Telekom use to monitor when and where we click on which online content. Google alone earns an estimated 55.5 billion US dollars per year from this information.

Poster for Ai Weiwei: Never Sorry (2012). Never been answered.

An account of the many tribulations that Chinese artist Ai Weiwei, known for his subversive art and political activism, endured between 2008 and 2011, from his rise to world fame via the Internet to his highly publicized arrest due to his frequent and daring confrontations with the Chinese authorities.

Film artwork for Elon Musk’s Twitter Takeover (2023), no verdict on the credits.

Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.

Key art for The Sun Vanished: Proof of Concept (2021), unanswered on the post-credit question.

Follows Skylar and Quinn as they survive the first day of the sun's disappearance. But as they dig up their past, they come face to face with the unearthly threat invading the planet while struggling to come to terms with their own mistakes and choices to carve a path forward.

Film artwork for Generation Like (2014), no verdict on the credits.

Thanks to social media, teens are able to directly interact with their culture - celebrities, movies, brands - in ways never before possible. But is that real empowerment? Or do marketers hold the upper hand? Douglas Rushkoff explores how the teen quest for identity has migrated to the web – and exposes the game of cat-and-mouse that corporations are playing with them.

Image for Factory of Lies (2018), a film with no post-credit data.

Russia has launched an information war - introducing a new weapon. Hundreds of young Russian are producing fake news from fake profiles. And the fake stories are spread in US and Europe to sow division and distrust. But some brave Russian journalists are fighting back. Meet the brave journalists in a new documentary about the "Factory of Lies".

The Matchmaker (2022) poster. Still unanswered: is there a scene after the credits?

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

Poster for RAT! (2024). No votes yet on whether it has a post-credit scene.

When a disgruntled music journalist accuses a global pop star of queerbaiting, the singer’s devoted fans descend on his remote cabin to wreak havoc and seek retribution.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.