Post-credit scenes: results for “tag: ugliness”

Poster art for The Hunchback of Notre Dame (1996), an open question on post-credit scenes.

Isolated in the bell tower of Notre Dame, Quasimodo longs to experience the world beyond the cathedral walls, despite the wishes of his stern guardian, the Judge of Paris Claude Frollo. His first venture into the city leads him to Esmeralda, a fearless Romani woman whose defiance of Frollo's tyranny draws her—and Quasimodo—into his dangerous obsession.

Key art for Love Hard (2021), unanswered on the post-credit question.

An LA girl, unlucky in love, falls for an East Coast guy on a dating app and decides to surprise him for Christmas, only to discover that she's been catfished. But the object of her affection actually lives in the same town, and the guy who duped her offers to set them up if she pretends to be his own girlfriend for the holidays.

Poster for Johnny Handsome (1989), awaiting its first vote.

A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.

The Club of Ugly Children (2019) poster. Still unanswered: is there a scene after the credits?

“Keep it clean!” – The new president is serious about that, including looks. When Paul, whose large jug ears are quite apparent on class photo day, and some of the other “ugly” kids are taken on a surprise trip, they realize that the president wants to hide them away. On the run, Paul is helped by Sara, one of the “pretty” kids. They start an underground club to fight against the president. The movement soon turns into a revolution. The kids show the world that even children can rise up – and that you don’t have to be “pretty” to be a hero!

Poster art for Teeth (2000), an open question on post-credit scenes.

Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.

Movie poster for Marty (1953), waiting for its first vote.

Marty Pilletti is a 36-year-old butcher who lives with his mother, who is always asking him why he doesn't find a nice girl and get married. The truth is Marty is lonely and would like nothing better, but he has low self-esteem and admits to his mother that he's ugly and no one wants him. He's tired of going to the Saturday night dance with his buddies and then going home more depressed than he was when the evening started. But at one of those dances he meets Clara. They have a great deal in common but Marty will have to overcome peer pressure if he and Clara are to have a relationship.

Image for A Land Betrayed (1963), a film with no post-credit data.

Produced by Alfred Higgins Productions with assistance from the University of Missouri-Columbia’s Academic Support Center Film Library, Keep America Beautiful, Inc., and Keep Los Angeles Beautiful, Inc., the 1963 short film A Land Betrayed examines the various ways people have spread the “cancer of ugliness” across America and offers call-to-action solutions to combat the nation-wide problem.

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