Post-credit scenes: results for “tag: unemployed”

Film poster, Parasite (2019). No post-credit verdict yet.

All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.

Film artwork for The Big Lebowski (1998), no verdict on the credits.

Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.

No Other Choice (2025) poster. The count is still zero.

After being laid off and humiliated by a ruthless job market, a veteran paper mill manager descends into violence in a desperate bid to reclaim his dignity.

Movie poster for The Five-Year Engagement (2012), waiting for its first vote.

Exactly one year after Tom meets Violet, he surprises her with a wedding ring. By all accounts, Tom and Violet are destined for their happily ever after. However, this engaged couple just keep getting tripped up on the long walk down the aisle.

Poster for Reality Bites (1994). Never been answered.

A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn't all it's cracked up to be.

Cover image for Think Like a Man (2012), not yet voted on.

The balance of power in four couples’ relationships is upset when the women start using the advice in Steve Harvey’s book, Act Like A Lady, Think Like A Man, to get more of what they want from their men. When the men realize that the women have gotten a hold of their relationship “playbook,” they decide that the best defense is a good offense and come up with a plan to use this information to their advantage.

Image for Withnail & I (1987), a film with no post-credit data.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Barfly (1987). Nobody has said whether there is anything after the credits.

Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.

I Stand Alone (1999) poster image. Zero votes so far.

After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, the Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, the Butcher returns to Paris to find his daughter.

Cover image for The Ax (2005), not yet voted on.

Bruno loved his job as a middle manager at a paper company, but optimistically views being laid off as an opportunity. After two years of searching for a comparable position, optimism turns to desperation. His wife works two jobs, and their marriage slowly deteriorates as their hold on the middle class slips away. Bruno concocts a grimly audacious plan to identify and kill his fellow job applicants so that he is the only qualified person left.

Cover image for Weather Girl (2009), not yet voted on.

Succumbing to the stresses of her personal and professional lives, Sylvia, a Seattle morning show weather forecaster, has a meltdown live on-air. Now, unemployed, lacking career prospects, and with a mess of a romantic life, she moves in with her little brother. She must learn how to cope with being 35-years-old and unfortunately famous for melting down on live television.

Somersault in a Coffin (1996) cover. Nothing recorded about its credits.

Mahsun Supertitiz is an unemployed homeless man who steals cars at night so that he can sleep in a heated place during the winter. Mahsun lives in Rumelihisar, an old section of Istanbul, and makes ends meet by getting the local fishermen to help him. Mahsun loves the cars he robs, cleans and polishes them, and drives them through the streets of Rumelihisar during the daytime.

The Peak Scaler (1933): nobody has checked the credits yet.

The two unemployed engineers Franzl and Bertl want to be the first to climb the Matterhorn from the dangerous north face. They travel by bicycle with Mizzl and Traudl but without telling them about their intentions. The women accompany them on the assumption that it is a touristical trip. All four camp in a tent at the foot of the Matterhorn and Franzl and Bertl secretly begin the dangerous ascent. The girls will have to follow the ascent together with the residents of the village and the guests of the mountain hotel using binoculars. The role of Franzl is played by Franz Schmid, the actual conqueror of the north face of the Matterhorn together with his brother Toni in 1931.

Cover image for Tony (2010), not yet voted on.

Unemployed and unemployable, Tony is a sympathetic recluse with severe social problems, an addiction to VHS action films and a horrible moustache. Occasionally he snaps and murder is the result…

Uuno Turhapuro (1973) poster. The count is still zero.

Uuno Turhapuro is a lazy man who abhors manual labor, but has the ability to talk himself out of any sticky situation, usually with his long-suffering wife. In this, his first feature film appearance, Uuno embarrasses his wife in public, tricks his best friend, accidentally goes on a diet, and becomes a famous violinist.

Maids to Order (2026) poster image. Zero votes so far.

A driven entrepreneur establishes a domestic helper agency, navigating the complex and often humorous dynamics of managing her idiosyncratic staff while simultaneously resolving personal crises.

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