Post-credit scenes: results for “tag: vendetta”

Poster, Face/Off (1997). Nobody has voted on this one.

In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind. The plan turns sour when the criminal wakes up prematurely and seeks revenge.

Poster, The Curse (2026). Nobody has voted on this one.

After seeing her friend’s disturbing social media posts, Riko tries to intervene to help her but fails to prevent her from dying a mysterious, violent death. Convinced there is more to the story than a suicide, Riko dives into a world of memes, influencers, and posting for attention. As the pile of bodies grows, and Riko faces her own possible curse, she and her friends travel to Taiwan to find the source of this demonic social media killer.

Capone (1975): nobody has checked the credits yet.

Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.

Cover image for Daddy's Playground (2018), not yet voted on.

Navigating a nihilist millennial world where sugar-dating apps, hashtags and designer drugs are king, two sugar babies begin a murderous vendetta against Daddy. Attempting to stamp out patriarchal evils, Teddy and Rose must confront their own morality, or lack thereof. Daddy's Playground positions notions of power and feminine agency within the context of sex work and survivalism.

The shelter (1931). Nobody has said whether there is anything after the credits.

A young Corsican is obliged by a tradition of vendetta for his late father, to kill the uncle of a girl he loves, because that man was the murderer. His search for vengeance leads to being pursued by the police and a tragic fate.

Movie poster for One Foot in Hell (1960), waiting for its first vote.

Mitch Barrett becomes embittered because his wife is allowed to die when he can't pay for the medicine she needs. The remorseful townspeople hire Mitch to be a deputy sheriff, thereby enabling him to plot an elaborate bank robbery with the help of an artist, a pickpocket, a gunslinger and a bar-girl.

Samurai Vengeance (2026) cover. Nothing recorded about its credits.

In January 1810 in Edo, Kikunosuke, the 17-year-old-son of a murdered samurai, takes revenge on his father's murderer, Sakubai, who was his father's former retainer. Kikunosuke gloriously defeats the swaggering Sakubai in single combat in front of a theater, witnessed by a huge audience that had just finished watching a production of 47 Ronin. With Sakubai's severed head, Kikunosuke has achieved his revenge and ensured that his family won't be exiled. 18 months later, a ronin named Soichiro Kase from Kikunosuke's domain arrives at the theater. While he seems silly and smooth-talking, he's very keen on finding out more about the incident and Kikunosuke's time working at the theater. The theater's staff – the barker Ippachi, the swordsmanship teacher Sagara, the costumer Hotaru, the craftsman Kyuzo, and the playwright Kinji – are apprehensive and suspicious at his digging. However, not everything is as it seems.

Image for The Harefoot (1964), a film with no post-credit data.

Petros Pelekis is shaken when he receives a letter from America informing him that the feud between his family and the Patakas family continues, and that the last Patakas is coming to Greece to kill him. Petros lives in constant fear that anyone he knows could be his would-be killer. To protect himself, he hires Kostas, his neighbor's wife's lover.

Movie art for Il Trovatore - Verdi (1978), post-credit scene unknown.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Poster for Tread (2020), blank on post-credit scenes.

Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.

Image for The River and Death (1954), a film with no post-credit data.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

The Corsican Brothers (1942) poster. The count is still zero.

Cultured Mario and outlaw Lucien, twins separated at birth, join forces to avenge their parents' death at the hands of evil Colonna. Because each feels all the same sensations experienced by the other, swordplay is difficult for them. Worse yet, raised very differently, they struggle to find common ground between their conflicting personalities. But to defeat their enemy, the two will have to overcome the obstacles and work as a team.

Image for The Eleventh Hour (2008), a film with no post-credit data.

After years as a prisoner of war Michael Adams, a former Navy SEAL, is trying to live a normal life. However, his life is turned upside-down when his estranged wife has a bomb implanted into her skull to assure that he will assassinate a US Senator. Now Michael has less than 12 hours to kill the Senator or the bomb will detonate. An action-packed, thrill a minute ride!

Notes from a Fish (2025) cover. Nothing recorded about its credits.

An aspiring novelist on the verge of a publishing breakthrough loses his unconventional muse, a tropical fish, sending him and an unstable fisheries officer on a series of bizarre misadventures in search of the fish rumoured to hold mysterious, almost magical powers.

Image for Vengeance for Sale (2002), a film with no post-credit data.

In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.

Key art for The Loyal 47 Ronin (1958), unanswered on the post-credit question.

Japan, 1701. A group of samurai become rônin after their lord is forced to commit seppuku for assaulting a court official, who will become the target of a merciless revenge.

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