Post-credit scenes: results for “tag: visual effects”

Cover image for Monster Maker, not yet voted on.

A documentary about Stan Winston, the legendary special effects artist behind some of the most memorable and terrifying creatures ever put on screen.

Poster art for The Extraordinary Voyage (2011), an open question on post-credit scenes.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece A Trip to the Moon (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.

78/52 (2017) cover. Nothing recorded about its credits.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

Poster art for Addicted to Change (2026), an open question on post-credit scenes.

In a near future Britain, at a biotech lab on the brink of collapse, three interns invent a cognitive enhancing drug. They begin full scale manufacture, only to become targets of government forces who view their breakthrough as a threat.

2010 : The Odyssey Continues (1984). Nobody has said whether there is anything after the credits.

This promotional short for 2010 (1984) shows moviegoers how some of the film's visual effects were created. This includes makeup for Keir Dullea's character, how the astronauts float in space, and the construction of the spaceship in which the astronauts carry out their mission. The vehicle is so large, the two largest sound stages on the MGM lot were used to construct it.

Movie art for ENDWORLD (2026), post-credit scene unknown.

In a future where humanity has created a perfect world ruled by technology, natural birth is forbidden and everything is controlled. But when an illegal child is born, one new life threatens to bring their perfect world to an end.

Poster for Shaping the Sphere: The Art of the Visual Effects Supervisor (1998), blank on post-credit scenes.

Special Effects Supervisor Jeff Okun gives an overview of his responsibilities on Sphere, and takes us through some of the techniques used to create the illusions that sell the film, from storyboards and concept drawings through scaled miniatures and CGI. The segment ends with Elkins giving some advice for those who might want a career in the special effects industry.

The Infinite Breakroom (2024) poster. The count is still zero.

an overworked and underpaid office worker is fighting her way through the endless hallways of a surreal office building - just a shimmering goal in the distance to keep her going. a sign of hope?  The promise of absolution? Or just a short break from this endless repeat of misery?

Poster, Pest Control (2024). Nobody has voted on this one.

DO YOU THINK IT'S DANGEROUS? EVERYTHING OUT HERE IS DANGEROUS, GET USED TO IT. Teenage monster hunters answer a routine call, but end up in over their heads.

Cover image for Bugged (2026), not yet voted on.

A man attempts to get to know himself better in the wee hours of the night, but something's bugging him—a very big, very buggy something.

Countdown to Midnight (2025) poster. The count is still zero.

After an encounter with a strange man, Nathan is cursed to vanish from everyone’s memory—his physical presence fading and his existence slipping away. With a literal timer counting down above his head, Nathan has until midnight to unravel the mystery of the curse, or risk being erased from reality forever. In this interactive film, after viewing the introduction, the viewer chooses the order to view 3 different stories in, which will lead to a different ending.

Movie poster for Peccatum (2026), waiting for its first vote.

Peccatum is a poetic coming-of-age story about two young women growing up in a secluded Christian community. When one of them loses her parents, she seeks comfort and salvation in pagan spirituality. Amid shared moments of intimacy and innocence, a bond begins to form between them—one that gradually comes into conflict with faith, guilt, and the fear of being discovered. Inspired by the work of Sofia Coppola.

Movie poster for The Magic Lantern (2026), waiting for its first vote.

The Magic Lantern is a non-narrated celebration of early cinema and silent-film imagination, exploring the early work of pioneers such as Georges Méliès, Eadweard Muybridge, Segundo de Chomón, and Émile Cohl.

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