Post-credit scenes: results for “tag: waitress”

Movie art for Forrest Gump (1994), post-credit scene unknown.

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Poster for A Star Is Born (2018). No votes yet on whether it has a post-credit scene.

Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.

Cover image for Memento (2000), not yet voted on.

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.

Film artwork for Office Space (1999), no verdict on the credits.

A depressed white-collar worker tries hypnotherapy, only to find himself in a perpetual state of devil-may-care bliss that prompts him to start living by his own rules, and hatch a hapless attempt to embezzle money from his soul-killing employers.

Poster for Bonnie and Clyde (1967). No votes yet on whether it has a post-credit scene.

In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow, and together they start a violent crime spree throughout the country, stealing cars and robbing banks.

Image for Thelma & Louise (1991), a film with no post-credit data.

Taking a break from their dreary lives, close friends Thelma and Louise embark on a short weekend trip that ends in unforeseen incriminating circumstances. As fugitives, both women rediscover the strength of their bond and their newfound resilience.

Enough (2002): nobody has checked the credits yet.

Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.

Movie poster for Going the Distance (2010), waiting for its first vote.

Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good.

Poster for The Unbearable Lightness of Being (1988). Never been answered.

Successful surgeon Tomas leaves Prague for an operation, meets a young photographer named Tereza, and brings her back with him. Tereza is surprised to learn that Tomas is already having an affair with the bohemian Sabina, but when the Soviet invasion occurs, all three flee to Switzerland. Sabina begins an affair, Tom continues womanizing, and Tereza, disgusted, returns to Czechoslovakia. Realizing his mistake, Tomas decides to chase after her.

Poster, Wedding Daze (2006). Nobody has voted on this one.

After losing the woman of his dreams, Anderson is convinced he'll never fall in love again. But at the urging of his best friend, he spontaneously proposes to a dissatisfied waitress named Katie and an innocent dare evolves into the kind of love that both have been looking for all along.

Trauma Center (2019) poster image. Zero votes so far.

Lt. Wakes is a vengeful police detective determined to solve the murders of his partner and an informant, and joins forces with a witness injured during the shootings. After the killers pursue the witness across the abandoned floor of a hospital, she confirms Wakes's worst fears.

Poster art for Sex and Lucía (2001), an open question on post-credit scenes.

Lucía is a young waitress in Madrid who seeks refuge on a quiet, secluded Mediterranean island after the loss of her longtime boyfriend. Amidst the fresh air, dazzling sun, and glistening deep blue water, Lucía begins to piece together the dark corners of her past relationship.

Poster for A Fantastic Woman (2017), awaiting its first vote.

Marina's life is thrown into turmoil following the death of her partner. Mourning the loss of the man she loved, she finds herself under intense scrutiny from those with no regard for her privacy.

Poster for Daybreakers (2010). Never been answered.

In the year 2019, a plague has transformed almost every human into a vampire. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vampires on a way to save humankind.

Key art for Every Which Way but Loose (1978), unanswered on the post-credit question.

Philo Beddoe is your regular, easygoing, truck-driving guy. He's also the best bar-room brawler west of the Rockies. And he lives with a 165-pound orangutan named Clyde. Like other guys, Philo finally falls in love - with a flighty singer who leads him on a screwball chase across the American Southwest. Nothing's in the way except a motorcycle gang, some cops, and legendary brawler Tank Murdock.

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