Post-credit scenes: results for “tag: walking”

Film poster, Before Sunrise (1995). No post-credit verdict yet.

An unexpected meeting on a train leads two travelers to spend an evening wandering through Vienna. As the night unfolds, they share stories and conversations about life and love, exploring new ideas while a quiet intimacy grows between them, knowing it may be their only night together.

Key art for The Salt Path (2025), unanswered on the post-credit question.

The profound story of husband and wife Raynor and Moth Winn, who embark on a 630-mile trek after being forcibly removed from their home. Hoping that in nature they will find solace and a sense of acceptance, they walk through the beautiful but rugged coastlines of South West England - a journey that is exhilarating, challenging, and liberating in equal measure. THE SALT PATH is a powerful portrayal of home, and how it can be lost and rediscovered in the most unexpected ways.

Film artwork for Before Sunset (2004), no verdict on the credits.

Nine years later, Jesse travels across Europe giving readings from a book he wrote about the night he spent in Vienna with Celine. After his reading in Paris, Celine finds him, and they spend part of the day together before Jesse has to again leave for a flight. They are both in relationships now, and Jesse has a son, but as their strong feelings for each other start to return, both confess a longing for more.

As Far As My Feet Will Carry Me (2001). Nobody has said whether there is anything after the credits.

The German soldier Clemens Forel - determined to be reunited with his beloved family - makes a dramatic escape through bitter cold winters, desolate landscapes, and life threatening ventures from a Siberian labor camp after World War II. 8000 miles and three endless years of uncertainty later, he is finally about to reach his destination... An edge of your seat drama that celebrates the power of the human spirit and the force of will, while inspired and impowered by love.

Poster for adrift (2026), blank on post-credit scenes.

Teenage drifters embark on a journey through forests and fields, trying to make sense of their lives through conversations on their interests, passions and woes.

Roundhay Garden Scene (1888) poster image. Zero votes so far.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

The Borderline (2022). Nobody has said whether there is anything after the credits.

A man and his dog cross the desert in search of La Frontera, a mighty river that represents the geographical limit with the neighboring territory. Exhausted, they manage to see their goal, but they must cross other obstacles before conquering its waters.

Cover image for Christine (1987), not yet voted on.

Christine is a pasty-faced teen in a windbreaker and ill-fitting striped shirt who walks endlessly from one friend's house to another, delivering heroin while their parents are absent.

The World Before Your Feet (2018) poster. The count is still zero.

For over 6 years, Matt Green, 37, has been walking every street in New York City – a total of more than 8000 miles. The World Before Your Feet tells the story of one man’s unusual quest and the journey of discovery, humanity, and wonder that ensues.

Film artwork for Stochastics (2010), no verdict on the credits.

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.

Poster for Deserted (2015), blank on post-credit scenes.

A man walks through a desert carrying a full water bottle. He fights desperately the temptation to drink the water. The question arises how the man got himself into this predicament. And what will happen if he does drink the water?

Man Walking Around a Corner (1887) poster. Still unanswered: is there a scene after the credits?

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Film artwork for Carillon (2009), no verdict on the credits.

A sleepless man meets a sleepwalker woman. A nocturnal ballad begins in the quiet city of Novi Ligure. But someone conspires in the darkness of the city…

Poster for Forget Me Not (2011), awaiting its first vote.

The film follows Will Fletcher, a musician, and Eve Fisher, who works in a pub where he is performing, during one night in London. After Will has saved Eve from a drunken customer at closing time, they stay up all night together, meandering through the streets of London and forging a relationship. Next morning, Eve takes him to see her Alzheimer's-suffering grandmother. The film is often compared to Richard Linklater's films "Before Sunrise" and "Before Sunset", as the style is very similar.

Poster art for The World at Arm's Length (2018), an open question on post-credit scenes.

Sven has a dream. Once in his life he wants to walk the Camino de Santiago - the Way of St. James. But that seems impossible, Sven has Usher syndrome, a disease which slowly, inexorably robs him of hearing and vision. Profoundly deaf and completely blind since 2010, he can only communicate using a special hearing aid in the spoken language.

Poster art for All This Can Happen (2013), an open question on post-credit scenes.

A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.

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