Post-credit scenes: results for “tag: war documentary”

Poster for 20 Days in Mariupol (2023), blank on post-credit scenes.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

Film poster, Retrograde (2022). No post-credit verdict yet.

The story of the last months of the 20-year war in Afghanistan through the intimate relationship between American Green Berets and the Afghan officers they trained.

2000 Meters to Andriivka (2025) poster image. Zero votes so far.

Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.

Movie art for Kabul Chaos (2025), post-credit scene unknown.

A look back at the years leading up to the fall of Kabul and the perilous evacuation of civilians trapped inside the embassy in the hours following the Taliban's takeover of the country.

Film artwork for Hollywoodgate (2024), no verdict on the credits.

Immediately after the US pullout from Afghanistan, Taliban forces occupied the Hollywood Gate complex, which is claimed to be a former CIA base in Kabul.

Movie art for Hitler Versus Picasso (2018), post-credit scene unknown.

In 1937 the Nazi regime held two exhibitions in Munich: one to stigmatize “Degenerate Art” (which they systematically looted and destroyed) and one, personally curated by Hitler, to glorify “Classic Art”. This immersive new documentary reveals the Nazi’s complicated relationship with classical and modern art, displaying an incredible number of masterpieces by Botticelli, Klee, Matisse, Monet, Chagall, Renoir and Gauguin amongst others, intertwined with human stories from the most infamous period of the twentieth century. A state-of-the-art detective story exploring the Nazis’ obsession with creative expression, Hitler versus Picasso combines history, art and human drama for an unforgettable cinema experience.

Russians at War (2024) poster image. Zero votes so far.

Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.

Film poster, Chicago 10 (2008). No post-credit verdict yet.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

Film artwork for Rojek (2022), no verdict on the credits.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

Poster for Bitter Lake (2015), awaiting its first vote.

An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.

Poster for Israel and Gaza: Into the Abyss (2024), awaiting its first vote.

This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.

Liberation Diaries (2025) poster. Still unanswered: is there a scene after the credits?

The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.

Image for Hiroshima (2005), a film with no post-credit data.

The documentary recounts the world's first nuclear attack and examines the alarming repercussions. Covering a three-week period from the Trinity test to the atomic bombing of Hiroshima, the program chronicles America's political gamble and the planning for the momentous event. Archival film, dramatizations, and special effects feature what occurred aboard the Enola Gay (the aircraft that dropped the bomb) and inside the exploding bomb.

Cover image for Israel Palestine on Swedish TV 1958-1989 (2024), not yet voted on.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

Maria Theresa’s Dark Side (2024). Nobody has said whether there is anything after the credits.

Shortly before Christmas 1744, Vienna, the center of power in the Habsburg Empire, is the scene of a disastrous drama with repercussions for the whole of Europe. Against the spirit of enlightenment and tolerance, the very young Maria Theresa orders the expulsion of the allegedly disloyal Jews from Prague.

Poster for I Shall Not Hate (2024). No votes yet on whether it has a post-credit scene.

From Gaza’s Jabaliya refugee camp, to the University of Toronto and the Supreme Court of Israel, I Shall Not Hate follows the uncharted path of Dr. Izzeldin Abuelaish, The first Palestinian doctor that worked in an Israeli hospital delivering babies, whose ethos of forgiveness and reconciliation is put to the ultimate test when an Israeli tank bombs his house, killing his three daughters. Against all odds, he turns his tragedy into a global campaign to eradicate hate.

Afghanistan 1979: The War That Changed the World (2014). Nobody has said whether there is anything after the credits.

'Afghanistan 1979: the war that changed the world', is a French documentary about the Sovjet invasion in Afghanistan in 1979. It was one of the most crucial events of the 20th century, and changed the world forever. This documentary gives a good insight in the Afghan-Russian war ; the alliance between the Russian and Afghan communist governments ; Islamic resistance ; the support of America for the resistance and its consequences on the war.

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