Post-credit scenes: results for “tag: web”

Poster for Dracula (1931), blank on post-credit scenes.

A British estate agent travels to Transylvania to meet with the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves and drives the agent to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.

Hacking Bloggers (2016) poster. Still unanswered: is there a scene after the credits?

Popular teen video-bloggers became digital persons after being «hacked» by evil computer virus. They need to find their way back home from this «digital trap».

Poster, Electric Blue 36 (1986). Nobody has voted on this one.

A vampire and his son are on the prowl at a local strip club. Learning the ropes as a vampire becomes difficult when the son falls for a pretty dancer.

The Carp and the Seagull (2012) artwork. Still a mystery after the credits.

The Carp and the Seagull is an interactive short film about one man's encounter with the spirit world and his fall from grace. It is a user driven narrative that tells a single story through the prism of two connected spaces. The film is an experiment in space and narrative using the latest in web technology.When the film was released, it was billed as the world's first interactive 3D film for the web, going on to win numerous web awards. The story is told in a stripped down polygonal style that reflects the emotional, spiritual states of the characters. High density, smooth polygon vertices indicate oneness with the world while distorted, non-uniform shapes show unease within the characters. The film's protagonist is Masato, a simple fisherman, spending his days fishing the waters near his village eking out a quiet, structured life. The Carp and the Seagull focuses on his encounter with the Yuki-onna ghost.

Movie art for Manakin (2025), post-credit scene unknown.

Manakin is an experimental short that follows the story of a single woman living in a desolate house accompanied by a life-like stuffed doll. A creation of her own design, the manakin projects videos of single men reciting words of lust, absurd confessions and the desire for human connection. While these audio-visual projections keep her company in her isolation, our subject begins to weave her own web crafted by the same material as the doll, growing as an entity outside this house. Directed by Kasey Oldford, Manakin uses found audio prompts from the dating app Hinge, spliced and put back together to create a nerve wracking video love poem that touches on the obscene and lonely reality of the modern quest for love.

Image for Esta Persona No Existe, a film with no post-credit data.

A young man explores a page of fictional faces for fun; everything seems normal, until he sees his own face on the screen.

Poster for Beyond (1997), blank on post-credit scenes.

Beyond is a mysterious virtual world. In a playful spirit of philosophical inquiry, it explores the paradoxes of technology, desire and the paranormal posed since the birth of mechanical reproduction. One might call it an investigation of the "dream life" of technology, from around 1850 to 1940.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.