Post-credit scenes: results for “tag: wedding party”

Poster for Wild Tales (2014), awaiting its first vote.

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

Bridesmaids (2011). Nobody has said whether there is anything after the credits.

Annie's life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian's maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she’ll show Lillian and her bridesmaids just how far you’ll go for someone you love.

Poster, C'est la vie! (2017). Nobody has voted on this one.

Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.

Poster for Voices (2007), blank on post-credit scenes.

Ga-in, a high school student, witnesses the deaths of her relatives who die from a curse. Once she finds out that she is the next target, she asks her boyfriend to help her break the spell.

Movie poster for Not Since You (2009), waiting for its first vote.

A romantic drama about a tight-knit group of college friends who graduated from NYU the year of 9/11 and reunite years later for a weekend wedding in Georgia. Unresolved conflicts and love affairs spark again.

Film poster, The Wedding Waltz (1988). No post-credit verdict yet.

Viltteri, a balding guy in his thirties living in rural northern Finland, is hopelessly clueless about his new role as a married man and the father of a newborn son. A perfect escape from family responsibilities is having to get his old Hillman Minx repaired and inspected for road-worthiness, with a little help from an eccentric bunch of friends who never seem to have grown up either.

Image for Potted Palm Trees (2020), a film with no post-credit data.

The dress is too lavish and the toilet cubicle too small for the bride to fit in. The ballroom is jam-packed and the mood is alarmingly good. Something is about to burst: the groom’s delusion of grandeur? The pregnant belly of deaf Betti? Her step-father’s patience? Or the wine-filled bladder of his ex-wife?

Wings of Glass (2000) cover. Nothing recorded about its credits.

Nazli is 18, born in Iran, raised in Sweden. She lives with her father Abbas and her older sister Mahin. Nazli, who wants to blend in calls herself Sara. One day Abbas tell her how he sees her future. He is planning a party for their friends and relatives. He also plans to invite two Iranian men, whom he sees as potential husbands for his daughters. Nazli, who has a very good relationship with his father, is appalled. When she meets with her Swedish boyfriend Johan, the situation immediately gets very complicated.

Film artwork for Bulgarian Lovers (2003), no verdict on the credits.

Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.

The Dance (1998) poster. Still unanswered: is there a scene after the credits?

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Poster art for Soft Targets (1982), an open question on post-credit scenes.

Stephen Poliakoff's parody of the spy-thriller genre. A Russian diplomat becomes convinced that he is at the centre of a Foreign Office plot.

The In-Laws (2021). Nobody has said whether there is anything after the credits.

Is a party after a canceled wedding a recipe for disaster? It is. And what a disaster it is! Two families differ in everything - origin, status, wallet content, taste. The parents of the groom and bride are initially shocked. What did such a thing happen? Who was at fault? What about the wedding party? Should they welcome the guests? Play music? Pour the vodka? Who will cut the cake? From word to word, polite smiles turn into public washing of dirt. And finally a real bomb goes off... And in the meantime, the wedding party turns into a wild party. And no one is bothered by the absence of the newlyweds.

Image for Bolshoi Ballet: La Sylphide (2012), a film with no post-credit data.

On his wedding day, the young Scotsman James is awakened with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love. La Sylphide is one of the world’s oldest surviving ballets, and a treasure in Danish ballet master August Bournonville’s style. Staged for the Bolshoi by Bournonville expert Johan Kobborg, this production is the ultimate romantic masterpiece. Captured live from the Bolshoi Theater in Moscow.

Movie art for Demon (2015), post-credit scene unknown.

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

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