Post-credit scenes: results for “tag: winnipeg”

Poster, Universal Language (2024). Nobody has voted on this one.

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.

Hard Core Logo (1996) poster. The count is still zero.

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

Poster, this river (2016). Nobody has voted on this one.

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.

Movie art for My Winnipeg (2008), post-credit scene unknown.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Poster art for Becoming Ruby (2025), an open question on post-credit scenes.

Follow Ruby Chopstix, Canada’s first drag artist-in-residence, as they navigate the complexity of being an underrepresented drag performer while creating a special showcase to create space for other queer BIPOC performers.

Poster for Cowards Bend the Knee (2003). No votes yet on whether it has a post-credit scene.

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

Poster for Denise Without Denis, awaiting its first vote.

A few days before she retires, devoted Winnipeg school principal Denise has spent her entire life taking care of everyone else. She is the glue holding together a crumbling ecosystem of neediness: a well-meaning but chronically disappointing husband, a school full of little crises, a self-absorbed daughter and unruly grandkids who treat her like a built-in safety net, and an aging father whose enthusiastic nudism keeps getting him expelled from one seniors’ home after another. When one indignity too many pushes her past her breaking point, Denise makes a radical decision.

Film artwork for Freshwater World (1974), no verdict on the credits.

This documentary explores a variety of projects undertaken by scientists at Environment Canada's Freshwater Institute in Winnipeg to study the processes that pollute or disrupt clean and balanced freshwater environments.

It Ain't Easy (1972) poster. Still unanswered: is there a scene after the credits?

Randy has PTSD from the Army. After extreme treatment he is released into the world to make it on his own. He goes to Winnipeg to race his snowmobile cross country to St. Paul.

After the Big One: Nuclear War on the Prairies (1982) poster image. Zero votes so far.

This film deals straightforwardly with the consequences of a nuclear attack for the Canadian Prairies due to their proximity to intercontinental ballistic missile sites in North Dakota. Scenes include a visit to a missile base and to an emergency government bunker in Manitoba. A doctor, a farmer and a civil defence coordinator provide different perspectives on nuclear war. Although focused on one region, the film provides a model for people everywhere who would like to know more about their own situation but don't know what questions to ask.

Correspondances poster image. Zero votes so far.

A multitude of reflections on the Francophone community and Canadian identity ebb and flow through a Winnipeg that is searching for its identity.

Film poster, Life on Victor Street. No post-credit verdict yet.

This short documentary depicts an Aboriginal Winnipeg teen’s struggle to stay in school and away from local gangs. Filmed over 2 years, the film is a moving portrait of one family trying to break the cycle of addiction, violence and poverty in an environment filled with anger and despair.

The Storytelling Class (2010) poster. Still unanswered: is there a scene after the credits?

Located in Winnipeg’s downtown core, Gordon Bell High School is probably the most culturally varied school in the city. In an effort to build bridges of friendship and belonging across cultures and histories, teacher Marc Kuly initiated an after-school storytelling project. The catalyst for this cross-cultural interaction was the students’ reading of A Long Way Gone by Ishmael Beah, a memoir of Beah’s horrific time as a child soldier in Sierra Leone’s civil war. These voluntary after-school meetings take dramatic turns and reach their climax when Ishmael Beah and professional storyteller Laura Simms travel from New York to work with them. With their help the students learn to listen to each other and find the commonality that so long eluded them.

Poster for Thursday (2020), blank on post-credit scenes.

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

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