Post-credit scenes: results for “tag: worker”

Antz (1998). Nobody has said whether there is anything after the credits.

A neurotic worker ant in love with a rebellious princess rises to unlikely stardom when he switches places with a soldier. Signing up to march in a parade, he ends up under the command of a bloodthirsty general. But he's actually been enlisted to fight against a termite army.

Key art for Still Life (2006), unanswered on the post-credit question.

A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.

Poster for Gung Ho (1986). Never been answered.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

Poster for It's a Free World... (2007), awaiting its first vote.

Working-class Angie, sacked from a recruitment agency for bad public behaviour, teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate for work, the opportunities are considerable, particularly for two girls so in tune with these times.

Key art for Kafka (1991), unanswered on the post-credit question.

After a colleague is murdered, insurance worker Kafka gets embroiled in an underground group who are attempting to thwart a secret organization that controls the major events in society.

Land and Freedom (1995) poster. The count is still zero.

Summer 1936: young unemployed communist David Carr leaves Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded, he goes to Barcelona, where he joins another group of fighters.

Movie poster for Cart (2014), waiting for its first vote.

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

Film poster, Union Town (2026). No post-credit verdict yet.

Set against the backdrop of New York City, the film follows delivery industry workers as they take on some of the world s most powerful corporate giants, touching on the challenges, joys and human elements that make this movement possible.

Film artwork for Lapsis (2021), no verdict on the credits.

In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.

Poster, Mister Johnson (1991). Nobody has voted on this one.

In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.

Film poster, Better Off Dead (2025). No post-credit verdict yet.

After his father's death, Gema, an awkward young man, is surprised by the warmth from his coworkers. When it fades, he begins to wonder who must die next, setting off a chain of lies that spirals into chaos.

Beneath Us (2020) poster. Still unanswered: is there a scene after the credits?

The American Dream becomes a nightmare for a group of undocumented day laborers hired by a wealthy couple. What they expect to be their biggest payday turns into a terrifying fight for survival.

Image for Bread and Chocolate (1974), a film with no post-credit data.

An Italian immigrant tries to make a new life in Switzerland, taking on a series of increasingly menial jobs in order to do it. He attempts to fit into his new home and society but fails at every turn. Unable to go home again, will his tenacity and optimism be enough to live on?

Cover image for I Don't Fire Myself (2021), not yet voted on.

Jeong-eun is dispatched to a subcontracting company. She tries to fit in, but her co-workers aren't comfortable around her and she's completely new to field work. Despite all that, she wants to stay on for a year and then return to headquarters, no matter what. Thanks to a newbie's help, she slowly adjusts to her new workplace.

Privacy policy

When you vote, we save your Yes or No answer and when you voted.

We use a cookie and your internet address to recognize your vote on each movie. This prevents repeat votes. The cookie lasts for five years.

Your votes are kept as part of the movie totals.