Post-credit scenes: results for “tag: working class”

Film poster, Parasite (2019). No post-credit verdict yet.

All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.

Image for Perfect Days (2023), a film with no post-credit data.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.

Key art for Blue Jasmine (2013), unanswered on the post-credit question.

After experiencing a traumatic misfortune, Jasmine French, a wealthy woman from New York, moves to San Francisco to live with her foster sister Ginger and the firm purpose of getting a new life, but she will be haunted by anxiety and memories of the past.

No Other Choice (2025) poster. The count is still zero.

After being laid off and humiliated by a ruthless job market, a veteran paper mill manager descends into violence in a desperate bid to reclaim his dignity.

Poster art for Breaking Away (1979), an open question on post-credit scenes.

Dave, nineteen, has just graduated high school, with his three friends: the comical Cyril, the warm hearted but short-tempered Moocher, and the athletic, spiteful but good-hearted Mike. Now, Dave enjoys racing bikes and hopes to race the Italians one day, and even takes up the Italian culture, much to his friends' and parents' annoyance.

Image for My Left Foot: The Story of Christy Brown (1989), a film with no post-credit data.

No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.

Poster art for Belfast (2021), an open question on post-credit scenes.

Buddy is a young boy on the cusp of adolescence, whose life is filled with familial love, childhood hijinks, and a blossoming romance. Yet, with his beloved hometown caught up in increasing turmoil, his family faces a momentous choice: hope the conflict will pass or leave everything they know behind for a new life.

All or Nothing (2002): nobody has checked the credits yet.

Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.

Cover image for Overboard (1987), not yet voted on.

Heiress Joanna Stayton hires carpenter Dean Proffitt to build a closet on her yacht—and refuses to pay him for the project when it's done. But after Joanna accidentally falls overboard and loses her memory, Dean sees an opportunity to get even.

The Old Oak (2023). Nobody has said whether there is anything after the credits.

A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.

Come with Me (2026) poster image. Zero votes so far.

Working-class Simon Ward's life unravels after a traumatic home invasion, mounting problems at work and the loss of his best friend. Falling under the influence of rhetoric-spewing radio host Dalton Kirby, Simon spirals into a violent attempt to correct the injustice he believes surrounds him.

Inventing the Abbotts (1997) poster. The count is still zero.

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

Sorry We Missed You (2019). Nobody has said whether there is anything after the credits.

Hoping that self-employment through gig economy can solve their financial woes, a hard-up delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of modern-day labour exploitation.

Poster art for Bellissima (1952), an open question on post-credit scenes.

Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.

Romance & Cigarettes (2006) cover. Nothing recorded about its credits.

Ironworker Nick lives with his wife, Kitty, and three daughters. When he meets a significantly younger woman, Tula, he starts an affair with her, much to the chagrin of his wife, and his life is thrown into upheaval. Kitty kicks Nick out of the house, and he is forced to make some difficult decisions.

Tell It to the Bees (2019) poster. The count is still zero.

Dr. Jean Markham returns to the town she left as a teenager to take over her late father's medical practice. When a school-yard scuffle lands Charlie in her surgery, she invites him to visit the hives in her garden and tell his secrets to the bees, as she once did. The new friendship between the boy and the bee keeper brings his mother Lydia into Jean's world.

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