Post-credit scenes: results for “tag: workshop”

Key art for Elf (2003), unanswered on the post-credit question.

When young Buddy falls into Santa's gift sack on Christmas Eve, he's transported back to the North Pole and raised as a toy-making elf by Santa's helpers. But as he grows into adulthood, he can't shake the nagging feeling that he doesn't belong. Buddy vows to visit Manhattan and find his real dad, a workaholic.

Blue Eyed (1996) cover. Nothing recorded about its credits.

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and men. The blue-eyed members are subjected to pseudo-scientific explanations of their inferiority, culturally biased IQ tests and blatant discrimination. In just a few hours under Ms. Elliott's withering regime, we watch grown professionals become despondent and distracted, stumbling over the simplest commands.

Movie poster for The Pinchcliffe Grand Prix (1975), waiting for its first vote.

100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.

Film poster, Vida (2014). No post-credit verdict yet.

Acclaimed Iranian film director Abbas Kiarostami, delivers a film workshop in Bogotá, the filmmakers conclude by proposing a short film in 10 days. Diego, one of the directors of the workshop, as scouting, meets a young shy librarian named Vida , who dreams of being an actress.

Ketok Mejik (2026) cover. Nothing recorded about its credits.

Ben, a grandson who is 'forced' to inherit his grandfather's "Ketok Magic" workshop. However, this inheritance comes with a series of problems that will confuse the entire village!

Poster for We Are Not Done Yet (2018), awaiting its first vote.

Follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital.

The Name of Action (2026) poster. The count is still zero.

A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.

Poster art for The Alphabeticians (2025), an open question on post-credit scenes.

The Alphabeticians is a cinematic observational documentary exploring the power of relationships and the resilience of creative spirit. The film follows a turning point in the life of Lida Cardozo Kindersley, who runs a renowned lettercutting workshop in Cambridge, England. Having inherited the workshop from her husband and former teacher David Kindersley, Lida poured her soul into her work for nearly half a century. Approaching her seventieth birthday, she prepares for the next step: to hand the workshop on to her son and daughter-in-law. This moment of transition offers a portal to deeper themes: what significance do heritage crafts have in the modern world? And what legacies are we passing to future generations?

Movie art for Youth (Spring) (2023), post-credit scene unknown.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Image for The Strange Madame X (1951), a film with no post-credit data.

Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...

Film poster, Shoe Show (1984). No post-credit verdict yet.

While the humans are away, the shoes in a cobbler's workshop engage in a number of activities, including flirting, kidnapping and a gunfight.

Movie poster for Rachel’s Quest (1996), waiting for its first vote.

Rachel Rosenthal, through a performance art workshop, challenges a group of young Los Angelinos on a journey to discover, embrace and illustrate their sense of self.

Poster for Flying Into the Wind (1983). Never been answered.

The Wyatts wish to educate their children at home, but the education authorities have other ideas. Moving between 1969 and 1980, we see how this affects the various individuals and attitudes.

Poster for The Writing on the Wall (1983), blank on post-credit scenes.

A youth workshop in Derry is mounting various projects, including a dramatized enquiry into the death of a soldier. But when a squaddie is shot on the doorstep, then real life intrudes in the shape of the police and security forces.

A Pat On The Head Causes A Dream (2022). Nobody has said whether there is anything after the credits.

A filmmaker and rapper duo revive Michel Gondry’s “Be Kind Rewind” protocols - a set of filmmaking “rules” with which groups of strangers can conceive, shoot, and screen a film in just two and a half hours. Against the grim backdrop of the stringent Shanghai lockdown, the event soon turns into a sanctuary for individuals to forge collective dreams.

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