Post-credit scenes: results for “tag: wristwatch”

The Surfer (2025) poster. Still unanswered: is there a scene after the credits?

A man returns to the idyllic beach of his childhood to surf with his son. When he is humiliated by a group of locals, the man is drawn into a conflict that keeps rising and pushes him to his breaking point.

That Darn Cat! (1965) poster. Still unanswered: is there a scene after the credits?

A young woman suspects foul play when her cat comes home wearing a wristwatch. Convincing the FBI, though, and catching the bad guys is tougher than she imagined.

Movie art for Clockstoppers (2002), post-credit scene unknown.

Until now, Zak Gibbs' greatest challenge has been to find a way to buy a car. But when he discovers an odd wristwatch amidst his father's various inventions and slips it on -- something very strange happens. The world around him seems to come to a stop, everything and everybody frozen in time. Zak quickly learns how to manipulate the device and he and his quick-witted and beautiful new friend, Francesca, start to have some real fun.

Movie art for In God's Time (2017), post-credit scene unknown.

Four characters lives are transformed when they come into contact with a supernatural wristwatch that reveals the light and darkness within and brings forth a higher level of consciousness.

Happy Altitudes in New Zealand's Southern Alps (1933) cover. Nothing recorded about its credits.

Along New Zealand’s South Islands runs the mighty chain of the Southern Alps, where large and beautiful glaciers and Ice-falls abound among the towering peaks... That's how the film presents different leisure activities in the Southern Alps of New Zealand, and more specifically around the Hermitage Hotel. Activities include snow activities like snowball fights, dog sledding, ski lessons, and hunting of European chamois; and summer activities like golf practice in front of the hotel, rock climbing, and sight-seeing trips and picnic outings amid scenery of outstanding beauty.

Sebastopol (1929) poster. The count is still zero.

A mountain guide and a young woman make an ascent to Mount Sebastopol in New Zealand's Southern Alps. The couple leave from Mount Cook's Hermitage Hotel and after following an easy path by foot, they rock climb a sheer rock face. After reaching the top of the rock pinnacle, they follow by snowy terrain up to the top of Sebastopol, completing a precarious passage across the steep snowfield. The film is part of a series of films produced at the end of the twenties by the New Zealand Government Publicity Office to promote the beauty and attractions of the country.

Alpine Refuges (1943). Nobody has said whether there is anything after the credits.

Documentary on alpine refuges and the life of mountaineers. The film begins with images recreating vintage mountain climbers that end up spending a night in a fortune shelter. Then the scene is linked with images of a current refuge and explains how refuges are today, showing models and images of real refuges and explaining how life is in them and the role they play in mountaineering. The film was produced in 1942 by the Instituto Nazionale Luce during the Italian Fascist regime.

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