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Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
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Louisa Moore - Screen Zealots
In 2018, the film world was introduced to exciting new director Carlos López Estrada and his best-of-the-year movie, “Blindspotting.” Expectations for filmmakers as talented as Estrada can feel insurmountable, but “Summertime,” his sophomore feature film, is a wildly successful storytelling experiment of performance art and spoken word poetry. On the surface it sounds like an arduous undertaking, but somehow it turns out to be the epitome of indie cinema: an ego-less artistic collaboration with zero phoniness.
Over the course of a summer day in Los Angeles, the lives of 25 teenagers intersect. There isn’t much plot to speak of, as a loose narrative weaves all of the stories together. The …