Does It Have A Post-Credit Scene?

Eileen: is there anything after the credits?

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Budget: $16,000,000

Revenue: $1,560,142

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During a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by Rebecca, the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path.

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CinemaSerf

Thomasin McKenzie is quite good as the eponymous, rather timid, prison secretary who lives a rather pedestrian life watching the couples make out in the car-park, or fantasising about a quickie with one of her colleagues, before returning home to her retired cop/dipso father replete with two bottles! The arrival of new psychologist "Rebecca" (Anne Hathaway) injects a little life into her dull routine. This assertive sophisticate takes an interest in "Eileen", they go for a drink - there's even some flirting - before "Rebecca" shares a secret with her new friend that involves a young man in prison accused of the brutal murder of his father, and of just what his mother might know of the crime …

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Brent Marchant

Rarely have I seen a film as implausible, unfocused and meandering as this second feature outing from director William Oldroyd. After an impressive debut with “Lady Macbeth” (2016), the filmmaker has stumbled seriously in this latest effort, a supposed psychological mystery/thriller that never finds traction and yet somehow manages to go wildly off the rails in the final act. This cinematic misfire examines the relationship that develops between two women who work at a young men’s prison in 1960s small town Massachusetts. Eileen (Thomasin McKenzie) is a reserved, awkward, often-bullied, sexually repressed administrative assistant, and Rebecca (Anne Hathaway) is the facility’s newly hired, so…

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