Does It Have A Post-Credit Scene?

Should you stay after A View to a Kill ends?

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Budget: $30,000,000

Revenue: $152,427,960

A View to a Kill needs its first vote

A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.

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tmdb18359958

**Highly entertaining Bond movie**

Surprisingly serious Bond movie has Roger Moore step up to the plate for the last time as 007 - this time tackling none other than a psychotic Christopher Walken.

One of the better entries, this film has it all - action, humour, beautiful locales, sexy ladies, a scary villain, great stunt work, a classic theme song and of course, the legendary Roger Moore as James Bond.

It's a shame that Barbara Broccoli threw all of this classic Bond fun down the toilet in 2006. Bond has always been silly and, sadly, the 2006 reboot has thrown it all away and has no rewatchbility.

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Wuchak

Not as good as the previous four, but still a solid Bond film with Christopher Walken, Tanya Roberts and Grace Jones

A mission in wintery Siberia leads Agent 007 (Roger Moore) to globetrot from England to Paris to San Francisco and Silicon Valley investigating a horse-racing scam and the psychopathic entrepreneur, Max Zorin (Christopher Walken), who schemes to flood Silicon Valley for the purpose of creating a global microchip monopoly.

This was Moore’s last of 7 Bond films from 1973-1985 and it’s a solid Bond flick, just not up to the exceptionalness of the previous four films: “The Spy Who Loved Me” (1977), “Moonraker” (1979), “For Your Eyes Only” (1981) and “Octopussy” (1983). Just …

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GenerationofSwine

Walken, right, you can sit back and watch A View to a Kill because of Walken.

But let's be honest, he is the ONLY reason that you can sit back and finish this. The 70s, by 1985, were long over and Moore was clearly the 70s era 007. The mood, the atmosphere, the silliness, the feel of 007 needed to change and we still had 70s Bond in 85.

And then, Moore himself looked kind of like Bond in his 70s. He was far too old for the role. Too old to be believable as a super spy. Too old fit the part, and needed to pass on the mantel a few films ago.

By 85 the Silly Bond Era needed to end. They needed a new 007, and this, and Moore, just didn't work any more.

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