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Budget: $38,000,000

Revenue: $4,474,931

TMDB user reviews

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/origin-venice-film-festival-review-a-must-see-educational-story/

"Origin brilliantly transposes the pillars of caste from Isabel Wilkerson's book to the big screen through an incredibly revealing, genuinely fascinating narrative, despite becoming clear that the source material is better suited to a documentary.

The exceptionally human performances of the entire cast, especially Aunjanue Ellis, compensate for some lack of balance between emotionally personal dialogues and weighty lectures. Impactful imagery and an extremely stirring score make the audiovisual experience even more captivating.

It's not without issues, but it's one of t…

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CinemaSerf

The acting is all really quite adequate here, but it's not really that important to the fascinating underlying premiss that underpins the theory that race, in itself, might not be the reasons for the hierarchical nature of a society that always manages to create sub-classes. Aunjanue Ellis-Taylor offers her own engaging perspective on author Isabel Wilkerson who is invited by a publisher to offer a more considered and less reactionary appraisal of race relations following the murder of a young black man who just happened to be in the wrong place (a white neighbourhood) at the wrong time. The audience know full well from the outset what has happened here, so that's not especially important to…

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Brent Marchant

Those who believe that institutionalized systemic racism is fundamentally an American problem should probably give a serious look to this latest offering from writer-director Ava DuVernay, best known for the superb historical drama, “Selma” (2014). Based on the book Caste: The Origins of Our Discontents by best-selling author Isabel Wilkerson, the film examines how organic prejudices are actually a worldwide phenomenon that may or may not have anything specifically to do with race but are more readily attributable to matters of caste. While the picture indeed examines this practice from an American perspective, it also addresses it from the standpoint of the dictates employed in Nazi Germany…

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