Post-credit scenes: results for “tag: confrontation”

Movie poster for Primetime (2026), which has no post-credit scene according to 2 votes.

In 2006, To Catch a Predator host Chris Hansen sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice.

Movie poster for Desperate Measures (1998), waiting for its first vote.

San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.

Poster art for Unhinged (2020), an open question on post-credit scenes.

Rachel is a divorced single mother whose bad day gets even worse. She's running late to drop her son off at school when she honks her horn impatiently at a fellow driver during rush-hour traffic. After an exchange of words, she soon realizes that the mysterious man is following her and her young son in his truck. A case of road rage quickly escalates, at horrifyingly psychotic proportions, into full-blown terror as Rachel discovers the psychopath's sinister plan for revenge. He is single-mindedly determined to teach her a deadly lesson.

Film artwork for Drone (2017), no verdict on the credits.

Ideologies collide with fatal results when a military drone contractor meets an enigmatic Pakistani businessman.

Image for By the Sea (2015), a film with no post-credit data.

Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner.

Flesh and Bone (1993): nobody has checked the credits yet.

Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life -- with the coldhearted Ginnie in tow -- Arlis must deal with his past demons.

Poster for El Topo (1970). No votes yet on whether it has a post-credit scene.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

Una (2017) poster image. Zero votes so far.

When a young woman unexpectedly arrives at an older man's workplace, looking for answers, the secrets of the past threaten to unravel his new life.

Cover image for The Bedford Incident (1965), not yet voted on.

During a routine patrol, a reporter is given permission to interview a hardened cold-war warrior and captain of the American destroyer USS Bedford. The reporter gets more than he bargained for when the Bedford discovers a Soviet sub and the captain begins a relentless pursuit, pushing his crew to breaking point.

Breathe In (2013) poster. The count is still zero.

When a foreign exchange student arrives in a small upstate New York town, she challenges the dynamics of her host family's relationships and alters their lives forever.

Poster art for The Walking Dead (1936), an open question on post-credit scenes.

Down-on-his-luck John Ellman is framed for a judge's murder. After he's convicted and sentenced to death, witnesses come forth and prove his innocence. But it was too late for a stay to be granted and Ellman is executed. A doctor uses an experimental procedure to restore him to life, though the full outcome is other than expected.

Poster art for Lost Property (2025), an open question on post-credit scenes.

Lost Property follows three characters returning to the Bureau of Lost Property—a labyrinthine sorting facility where each searches for a missing doppelganger. The Bureau’s flamboyant personnel enforce elaborate administrative rituals, guiding the protagonists toward destabilising confrontations with their other halves. Only one half of each pair can exit, locking them in an endless rotation between original and double.

Essentially Amy (2023) poster. The count is still zero.

Amy is a young Chinese-American girl working at her local grocery store during the height of the pandemic. Amy must confront growing racism towards Asian-Americans, while at home, she must mitigate her mother’s expectations and personal bias towards African-Americans. After a brutal assault, Amy and her family must reevaluate their perceptions, and Amy must come to terms with who she really is and what she really wants.

Poster for The Road Killers (1994), blank on post-credit scenes.

After a young boy is almost runover by a maniac on a highway, a re-encounter and confrontation by the boy's father with the driver sets off conflicts with a car full of maniacs.

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