Post-credit scene in Primetime, yes or no?

TMDB user reviews

TheFilmCritics.org

A true-crime story this inherently bizarre should not require much embellishment, yet *Primetime* spends so much energy dressing itself up that the actual story gets buried underneath the filmmaking. What could have been a sharp, uncomfortable examination of television, celebrity, and the ethics of true crime instead becomes a frustratingly uneven film that mistakes stylistic excess for substance.

Robert Pattinson gives a pretty good performance as Chris Hansen, bringing enough conviction to make the central figure compelling even when the screenplay does not. The supporting cast is strong as well. Skyler Gisondo makes an impression as the adult decoy pretending to be an underage boy, whi…

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Brent Marchant

It’s been said that we often become what we concentrate upon. That’s ironic, because frequently this results in the creation of that which we’re purposely trying to avoid. And, in this third feature outing from director Lance Oppenheim, that’s precisely what happens to its high-profile protagonist, investigative journalist Chris Hansen (Robert Pattinson). In this fact-based satire, the film follows the ascendancy of the reporter on the tabloid TV series *Dateline NBC*, specifically through his work on the show’s *To Catch a Predator* segment (2004-2007) in which he covered stories designed to expose the exploits of pedophiles. Working in conjunction with the website Perverted-Justice, Hansen…

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GenerationofSwine

What I learned from Primetime is that catching child predators is "right wing" and "egotistical" and "bad." Which about sums up why all the heavily leftwing political injections makes movies suck. Sort of lost the plot when you spend an entire movie making the point that the dude who was CATCHING CHILD PREDATORS was WORSE than the actual child predators. Seriously, Hollywood, you lost the plot and we don't think you're ever going to find it again.

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