Any bonus scene at the end of Troy?
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In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
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Wuchak
***"Where does it end?" -- "It never ends."***
If Homer's mythical epic "The Iliad" is based on a factual story, that story is magnificently depicted in Wolfgang Petersen's 2004 epic "Troy." In other words, don't expect any goofy 'gods' or 'goddesses' like Athena popping out of thin air because "Troy" is a realistic portrayal of the Trojan war.
More than that, "Troy" is arguably the best sword & sandal epic ever put to film. You name the picture -- "Samson and Delilah," "Spartacus," "Ben-Hur," "Ulysses," "The Viking Queen," “Conan the Barbarian,” "Braveheart," "Attila," "The Odyssey," "Gladiator," etc. -- "Troy" is superior. At the very least it’s as good as some of the better flicks j…
John Chard
It's yours, take it.
Trojan prince Paris is not only having an affair with Spartan Menelaus' woman, Helen. He also lures her away to live with him in Troy. Thus giving the global domination obsessed King Agamenon the launch pad to war with Troy. Which in turn brings into conflict Spartan hero Achilles and Hector of Troy, two of the greatest warriors that ever lived.
Troy, budgeted at $175 million, and given to director Wolfgang Petersen with orders to craft a swordplay epic based on Homer's Illiad, is not the truly great picture it really should have been. It is, however, a spectacle of sorts, that by way of the extended directors cut, becomes a fine enough addition to the genre it so…
r96sk
A long watch, but just about a worthwhile one.
I enjoyed <em>'Troy'</em>, in short. A film, interestingly given his recent exploits, written by a certain David Benioff. It definitely has more than a few pacing issues, but they only affect the enjoyment factor minorly - at least to me. The score is a little lacklustre, mind.
The casting is outstanding, even if I don't think all the performances are anything to truly shout about. I found Brad Pitt and Eric Bana, although entertaining, a bit wooden in parts.
Elsewhere, Orlando Bloom and Sean Bean are arguably underused from an acting viewpoint - though their characters play huge parts, of course. You also have a load of other familiar …